HAY GUYS!
Okay before you read the last 14 pages just listen:
All of these posts have been drafts and are being edited. Thanks for reading all the way through and if you enjoyed it I am going to post the edited versions in the COMPLETED FAN FICTIONS THREAD in a few days if you want too read again, the official vesion.
Anyway, here you go. I had so much fun writing this ending and I hope you all have fun reading it too.
HERE IS ACT 4 AND 5ACT 4
FADE IN
INT. HELLS DUNGEON – ETERNAL NIGHT
EPPIE, confused and wondering what her priorities are, is having a head on confrontation with BLACK NIGHT.
BLACK NIGHT
One more insolent remark and I’ll make you as cold as the night. I swear, it will take a lifetime, Eppie.
EPPIE
Maybe I don’t want too go.
BLACK NIGHT
I’ve tried with you a thousand times before, this is your last straw.
WYATT is lying on the ground but is still conscious, although neither BLACK NIGHT or EPPIE are aware he is actually listening.
EPPIE
Why are you using him!? You promised him his fathers soul months ago yet all you do is torment him further. Look at his body!
BLACK NIGHT
You think I care about his fathers soul? Pity.
EPPIE:
Watch out you idiot he might be listening.
BLACK NIGHT
If he were awake he would be screaming in pain.
BLACK NIGHT, never expecting such rudeness from Eppie swings a clawy slap at her face, half freezing it and sending her flying into the ground. THE CAMERA TRACKS EPPIE swiftly then a smart OVER THE SHOULDER + CRANE SHOT of EPPIE’S shoulder shows BLACK NIGHT agitated but more dominantly presented in the distance.
EPPIE
(screaming)
I release my allegiance forever and forgone my calling!
BLACK NIGHT does not seem at all impressed but is too late to act as EPPIE shimmers out, poking her tongue at him.
INT. BIANCAS MOTHERS HOUSE – AFTERNOON
A MID SHOT shows CHRIS asleep and finally in a memory he has been so eager to witness.
INT. CHRIS MEMORY – MANOR ATTIC – EVENING
This time we have the full, unabridged, not-messed up memory.
PIPER
WYATT, get out of out house NOW!
WYATT
This isn’t your house.
(sends his mother telekinetically into a pile of old remnants then changes his tone)
It’s MY HOUSE.
CHRIS (past)
(running up the stairs)
What the hell is going on up there!?
PIPER gets herself up, clearly pissed off then gestures towards WYATT, blowing her son into the wall.
CHRIS (past)
WYATT!?
Past-CHRIS turns and looks at his mother, then starts too run toward her. Ghost-CHRIS doesn’t notice WYATT’S eyes change to a deep black for a split second.
WYATT
Don’t interfere!
(sends a huge TK blast at his brother, who is thrown into the wall and then crashes onto the floor – unconscious)
PIPER
WYATT…
(panic)
WYATT, what ARE YOU DOING?
WYATT
Shut up.
Sends a blue-flaming energy ball at the woman who had granted him his powerful existence. Skewering her into the nearby window which smashes angrily.
A powerful and emotional background music escalates in a heartfelt piano emsemble. Piper, thinking her being thrown into a window errily similar to when the charmed ones defeated the source takes her time getting up.
PIPER
WYATT, no, baby, this isn’t YOU, THIS ISN’T YOU!
(fearing for her life)
REVEAL Ghost-CHRIS
CHRIS (ghost)
No!
WYATT
Die Charmed one!
(calls for Excalibur. Manifests in black orbs into his hand)
A POV SHOT of the sword hurdling towards PIPER is shown, then an outside LONG SHOT of a car driving past dampens her painful scream.
FADE SHARPLY TO WHITE
INT. BIANCAS MOTHERS HOUSE – AFTERNOON
CHRIS
Bastard!
Throws himself into consciousness and accidentally TK’s the windows of the house which smash into tiny little pieces,
awkwardly symbolizing what he just witnessed.
BIANCA
What? What did you see?
CHRIS
I saw all I needed too see!
(calls) Scrying Crystal and map!
In an instant, in white orbs CHRIS’s old scrying gear appears in front of him.
BIANCA
You can’t scry for him, you don’t have anything too scry with.
CHRIS
(determined)
We’ll see.
(begins to scry)
BIANCA
We don’t know who we’re up against!
CHRIS
We’re up against my brother.
BIANCA
Do you think that it’s only you’re brother? Penny told you that your mothers orders were not too harm Wyatt.
CHRIS
It had to have been a trick, Bianca. How can you fall for things like that: you’re a Phoenix; Not supposed to trust anyone but yourself.
BIANCA
Wyatt… there’s something wrong with Wyatt he was never like that.
CHRIS
He was always like that!
At that moment the scrying crystal flies out of the window so fast that Chris and Bianca don’t even react in time.
CHRIS
It looks like,
BIANCA
He isn’t anywhere in San Francisco.
INT. GATEWAY TO THE AFTERLIFE – TIME UNKNOWN
PIPER is shown wearing only white and sitting by herself with her knees almost touching her chest. Her hands are neatly pressed up against her calf muscles. No longer is she calling out for her sons, nor displaying any plausible emotion. She rocks herself slowly with her lips pressed against each other like a small girl who has just lost her dollies but feels too afraid to tell her parents.
INT. HELLS DUNGEON – ETERNAL NIGHT
BLACK NIGHT has refrained from torturing WYATT, who has since awoken and is letting on no emotion and vacant facial expression and thought. Suddenly CHRIS’S scrying crystal appears in the ceiling and falls to the floor.
BLACK NIGHT
(noticing it)
They’ll be here, and just on time because I’m feeling cold, come.
WYATT
…Yes.
EXT. ABANDONED DEMONIC COVEN EXTERIOR – LATE AFTERNOON
A second ESTABLISHING SHOT of this place is shown to emphasize the SETTINGS importance. Something is about to go down. REVEAL CHRIS and BIANCA far into the camera shot but still identifiable. CUT to a MID SHOT which TRACKS both CHRIS and BIANCA as they are inspecting.
BIANCA
He’s here…
CHRIS
(looking at the edge of the cliff face)
You’ve been here before?
BIANCA
(looking at the distant waterfall)
Not so long ago. I found my sister here.
CHRIS
Eppie, here?
ENTER EPPIE who shimmers in front of the pair, shocked and extremely emotional.
EPPIE
(fast paced conversation which grows in volume begins_
What the hell are you guys doing here!?
BIANCA
What are we doing here?
EPPIE
You guys have to go, NOW!
CHRIS
We’re not going anywhere.
BIANCA
Why, what is it?
EPPIE
He’s here, he’ll kill us.
BIANCA throws a shy look at CHRIS and quickly tells him that she’s never seen EPPIE so distraught and that something must be wrong
EPPIE (CONT’D)
Bianca, listen to me.
EPPIE tries to reach out for her sisters hand but BIANCA quickly rejects the offer, thinking that she sensed something.
BIANCA
No.
EPPIE
(worried and confused)
What was that for?
(Casts a glance too her right)
Oh no…
In an array of light and dark, as the BACKGROUND MUSIC TENSES, two silhouetted figures appear out of an explosion – plumes of white smoke like stuff expel from what looks like to be a huge entrance to a cave. The dungeon. The CAMERA which seems to fly by, TRACKS speedily too the pair.
CHRIS
(filling with rage)
Wyatt.
After a second, WYATT and BLACK NIGHT appear out of the plume.
BIANCA/EPPIE (In unison)
Holy crap!
CHRIS filled with bottled rage wastes no time and hurdles towards WYATT, forgetting the deformed looking demonic lord standing beside him.
BIANCA
Chris stop!
THE CAMERA TRACKS BIANCA at an OFFSET as she desperately trails CHRIS.
WYATT
Fool.
(Knocks the breath of CHRIS)
CHRIS screams as a pummel too the face and chest send him toppling over sideways with immense force.
BIANCA
Chris!
BLACK NIGHT appears in front of BIANCA. BIANCA manages to swerve out of the way of BLACK NIGHT’S menacing frozen like hands as EPPIE runs to aid her estranged sister.
EPPIE
Hold on BIANCA!
BLACK NIGHT
(turning around to face EPPIE)
I had such high hopes for you.
BLACK NIGHT throws his hand towards EPPIE and a thin but sharp energy/ice like attack reforms and is set, aimed and fired.
EPPIE
Biaa
BIANCA
EPPIE!
As EPPIE’S lethal stomach wound is shown, WYATT changes his stance in the balance and attempts to help Bianca who is about to be annihilated.
WYATT (to BLACK NIGHT)
Liar!
Wyatt grabs a hold of BLACK NIGHT’S throat with his left hand and uses his right one to punch the beast in the dies forcibly. THE CAMERA pans across quickly to CHRIS who, bloody lipped, throws himself up in a rage. But when he sees WYATT trying to help BIANCA he doesn’t know what to do.
CHRIS
(doing what he came too do)
You murderer!
(calls)
ROCK!
Using orbing telekinesis, CHRIS sends a large rock flying towards WYATT’S head. Hits, crumbles, WYATT swerves around – forgetting about BLACK NIGHT.
BIANCA
Chris, what are you doing!?
WYATT has stunned BLACK NIGHT long enough for BIANCA to get too EPPIES aid but it may be too late.
WYATT
Don’t make me angry, CHRIS.
WYATT, unable to control himself summons a telekinetic wave that sends CHRIS crushing into the ground. After two seconds, it seems as though the aftermath of a comet hitting earth has created a pot hole with CHRIS in the middle, forcing the earth down.
CHRIS
Murrddeerrr!
WYATT
(relieves the TK instantly then cries)
I’m SORRY!
WYATT’S attention changes again as the CAMERA SWERVES to BLACK NIGHT, EPPIE and BIANCA. With BIANCA and EPPIE both down on the ground and BLACK NIGHT cold and practically invincible all seems lost.
EPPIE
I told you to stay out of this BIANCA!
BIANCA
Why did you help me?
EPPIE
Because I love you!
Something about the word love makes BLACK NIGHT shiver and flinch one side of his body.
BIANCA
WHHHATT!!
EPPIE
I admitted it. Shut up. Now BLACK NIGHT can’t devour us.
BIANCA
He can still KILL US!
BLACK NIGHT
Shut the hell up!
(hurls two energy balls which hit BIANCA and EPPIE, electrocuting them)
WYATT
Leave them alone!
WYATT is thrown down forcibly near the fallen BIANCA and EPPIE and jolted with a much more stronger energy ball. CHRIS is the only one left standing.
BLACK NIGHT
So much hatred… Perfect.
EPPIE
CHRIS, don’t let him get near you!
CHRIS (to WYATT)
You kill Mom, I’m going too kill you.
BLACK NIGHT appears in front of CHRIS and grabs him by the hair as WYATT did before except this time with much more lethal intentions. CHRIS felt BLACK NIGHT’S freezing hand and soul entering his body, feeding off his hatred.
CHRIS (V.O)
Turns out that the only way to really harm BLACK NIGHT is too admit that you love somebody and feel it while it’s trying to feed off your pain and become even more powerful.
EPPIE
Chris! Say you love WYATT it’s the only way!
BIANCA
Killing your mother wasn’t his intention.
CHRIS (V.O) (CONT’D)
BLACK NIGHT must have been having a field day since I would have let the whole world blow too bits rather then feel real love for WYATT. It just wouldn’t happen.
BLACK NIGHT
Nearly…
CHRIS (V.O) (CONT’D)
I knew at the time I was the only reason for hope. BIANCA knew it, EPPIE knew it and even WYATT knew it.
EPPIE
(smiling at WYATT and BIANCA)
Goodbye, all.
CHRIS (V.0) (CONT’D)
I guess It’s sort of a good thing we were wrong.
The sound of an eternally annoyed soul who was disobeying every single rule of the cosmos can be heard entering the physical plain.
PENNY
You are all in serious trouble.
PENNY throws out her two first fingers and steps forward closing her eyes and aiming all of her energy at BLACK NIGHT. In a wave of sorrow, BLACK NIGHT screams and screams until he has absolutely no voice left.
WYATT
Oh, my god.
PENNY
I have broken the most sacred rules.
(casts a glare at everyone)
Be certain that I will never ever be to return to aid in anything. You will have to finish him off now, my soul is being ripped into shreds as I speak.
EXIT PENNY
BIANCA strains to get up but is just able to.
BIANCA
CHRIS! Forget about WYATT, call for the book of shadows.
CHRIS, for the first time in a long time thinks things through and realizes that Bianca is right, at least partly.
CHRIS
(calls)
Book of shadows!
As BIANCA and CHRIS hurriedly scan through the book, BLACK NIGHT gets up off his knee in fury without anybody noticing.
CHRIS:
(reading from the book)
BLACK NIGHT: A deformed looking demonic lord whose own mortal parents tried to kill him. Hardly anything is known about this upper level demon but note: it cannot be vanquished with a spell, a potion or any witch power whatsoever.
BLACK NIGHT
(using his energy to pull WYATT closer to him
WYATT
CHRIS, Help!
BLACK NIGHT (CONT’D)
This isn’t over!
CHRIS drops the book of shadows, EPPIE screams and BIANCA stands there awestruck as BLACK NIGHT takes a hold of WYATT.
WYATT
CHRIS, believe me when I say that I didn’t mean for any-
BLACK NIGHT
Shove it.
Before exiting, BLACK NIGHT casts a glare at EPPIE as if to say I’m coming after you.
CHRIS
What… just happened?
BIANCA
I think WYATT is the innocent in this picture.
EPPIE
I have to go see a healer for this wound.
CHRIS (V.0)
By that time I knew it might not have been entirely WYATT’S doing, but I was still enraged and would never understand BIANCA referring to a murderer as an innocent, no matter how corrupt.
THE CAMERA zooms out very slowly, showing BIANCA move closer to CHRIS and EPPIE struggle shimmer out.
FADE TO BLACK
END OF ACT 4
ACT 5
FADE IN
SHOTS of San Francisco night are shown slowly, alternating via DISSOLVES. A façade of the manor at night is shown with the CAMERA CRANING UP for a few seconds.
INT. MANOR LIVING ROOM – MIDNIGHT
Twelve chimes of the grandfather clock signify the end to twelve hours of torment. CHRIS is shown sitting on the floor silently by a fire.
CHRIS (V.O)
So here I am now sitting vacantly by the only bright thing apart from Bianca in my life. The past twelve hours have been the worst twelve hours of my life. Bianca might think it’s mostly over now but it’s anything but. I’m no longer turning into a deranged psycho slash drunk alcoholic whenever I think about my brother but it still hurts just the same inside whenever I think about who he is and what he did. I’m still after him, I don’t care what BLACK NIGHT does as long as I can get to him first. He killed my mother and there will never be any forgiveness for that.
CHRIS leys down on the floor staring into the ceiling.
CHRIS (V.O)
I always thought that dads death would have been the most tragic part of my life. I never thought in my head that Mom would never be here. I’ll wake up and teardrops, they will fall down like rain. I can assure myself of that.
BIANCA silently shimmers in behind the wall that separates the downstairs floor from the living room and just watches CHRIS for a few seconds.
BIANCA
CHRIS.
CHRIS
Hellow.
BIANCA
(walking toward him as he gets up to walk toward her)
Do you… want to go now?
BIANCA and CHRIS make their way into the hall and head towards the manor doors.
CHRIS
Yeah.
CHRIS remembers one thing.
CHRIS (CONT’D)
Actually, I’ll be out in a minute.
CHRIS ushers BIANCA outside and closes the door, then takes a few steps back into the house.
CHRIS
Wherever you are Grams… thank you.
FADE OUT
END OF EPISODE