Charmed: Re-Imagined

[summerreading]

Jan 22, 2019 6:23:14 GMT -5 West said:

Summer, you have created such a wonderful two-part story, and you have a great talent for being able to combine several episodes and even the novel into how Charmed could have been done. I especially love that you included Pre-Witched. 

I think including Melinda Warren as the start makes perfect sense, and really sets the stage of the series. 

I also think having Grams alive, really added weight to the story and the sisters. I like that she passes away right after she told them. 

I think making this a two-part story is an excellent decision. I wished Charmed had been a two-parter, the same way many other shows were. It just needs the origin story breath, and even the reboot was horrible with pacing. 

I love that you added Melinda visiting Phoebe in the attic, a part from the novel, I loved. 

Having all three sisters together by the book to read the spell to get their powers, I think was a change that really worked. 

Roger being the villain was a real shock to me, you managed to have me second guessing, if it was still Jeremy, Andy. But I like that it was Roger in the end. 

I like that you left us with the conclusion that we still have someone else still at large when we were led it was always Roger. 


This was a really fun read, thanks, Summer. I really hope you decide to do another episode or try to combine other episodes together. 

Thanks West. I'm glad you liked what I did.

Adding Melinda at the start showing her death, just made sense to me for this, and laying the stage for the whole series. I'm glad you liked it.

Charmed really could have done so much more and expanded. It is interesting how the two-parters we did get, I felt didn't even need to be a two-parter at all, but SWTWC I felt could have made a perfect one.

I'm glad you liked the change with them all by the book, and like the ending with Prue closing the door with her sisters inside the manor, that made sure it was sister-centric and on all three, and not just Prue (of course Shannen was the star, so that is why they had to have it being Prue). But with a rewrite like this, you don't need to worry about all of that.

Many readers were really shocked it was Roger like you.

Like you, many members have asked the same question on if I'm going to write more, and the answer is yes. I have many ideas for other episodes that could be combined together. But right now, I just have my ideas noted down, and I'm wanting to focus on Elemental Charmed for a bit. But It is something I'm going to get back too.

We talked about possibly doing something like this as a Team Charmed project like we have done with Elemental Charmed. Something that might happen during summer, if not earlier. We'll see.

[Ruth Marie]

ACT FOUR

Halliwell Manor - Next Morning

Prue walks into the kitchen to find Phoebe yawning over her breakfast. “Hey, Pheebs, you look like you didn’t get any sleep at all. Are you okay?” Phoebe smiles over Prue calling her by her childhood nickname, thinking it has to be a good sign. “I was up all night, reading the Book of Shadows and I really need to warn you…” “Phoebe!” Prue interrupts. “Not that again! Nothing happened after we read that stupid spell and I don’t have time for your crazy fantasy!” “Prue, it’s not a fantasy. And it’s what Grams wanted us to know about, but we’ve been fighting so much, she died before she could tell us.” “And it’s like Piper said – she was so close to death that she was delusional, and now so are you!” and out the door she goes, slamming it hard behind her. Phoebe sighs in defeat.


Downtown Coffee Shop

Prue bumps into Andy yet again. He puts a comforting hand on her shoulder. “I heard about Grams and I’m so sorry, but I wasn’t sure if it was the right time to come to the funeral.” “That’s okay, but thanks for the flowers. You remembered all of her favorites.” Andy smiles. “Can I call you sometime?” “Sure. I’d like that.”


Halliwell Manor

As Piper heads for her job interview at Quake, ready to follow Grams’ advice and follow her dreams, Phoebe tries to tell her all about Melinda Warren and the Book of Shadows, but Piper wants to listen just as much as Prue did.


American Museum of National History

Prue finds Roger unpacking her collection, using his infamous pen to check that everything that’s supposed to be in the boxes are. She glares at the pen, the one she gave him when he got his master’s and now she wishes she hadn’t. But when she finds out that the board thinks the collection should be given to someone more qualified, she’s infuriated and suddenly the pen breaks and squirts ink all over Roger’s face and she finds that hilarious. Later she goes into his office and finds him facing the window, talking to a board member, taking credit for everything that Prue did with the collection. When he turns around and sees her, he tries to explain, but she interrupts. “I quit.” “Prue, you don’t mean this. Think about it.” “I have. Lousy job. Lousy pay. Lousy boss. What’s to think about?” He tries to wriggle out of it but the more he does, the angrier she gets. “So they wanted someone more qualified to take over the Beals Collection, huh? Well, I hope your razor-sharp mind will make quick work out of the seventy-five computer disks and the hundreds of pages of research that I did and left in my office.” “Prue, you’re going to regret this.” “Oh, no, I’m not. I thought breaking up with you was the best decision I ever made. But this definitely tops that. Good-bye, Roger!” and she spins on her heels. “There better not be any office supplies in that purse!” Now Prue is infuriated – he always has to have the last word! She could just wring his neck! She starts marching away when she hears him moaning and gasping and calling for help. Part of her wants to just leave him, but she can’t. She goes back and finds his tie choking him all on its own. The only way she can stop it is to use a scissor to cut it. As she walks away, she remembers how she wanted to wring his neck and now… Her mind goes back to Phoebe and what happened last night. But, no, Roger probably set it up to try to get her to feel sorry for him and go back to work. Well, that very simply is not going to happen!


Quake

Piper is in the kitchen making her audition meal for Chef Moore. Just as she pours her special ingredient for the sauce - port wine - into a measuring cup, Chef Sebastian Moore [Chris Flanders] enters and puts a spoon into her dish. Piper tries to tell him that she’s not done, but he shushes her and lifts the food towards his mouth. In her panic, Piper waves her hands around and he freezes. Piper is confused, but wastes no time and grabs a baster and adds some port wine to both her dish and the spoonful. When he unfreezes he tastes it and loves it. He wants her to start that night and Piper happily agrees.

She gets so excited she tries to call Phoebe, first to tell her that she got the job and second to tell her about Chef Moore freezing, but Phoebe has just left the house, so Piper leaves a voice mail instead.


Downtown Occult Shop

Phoebe rides her bike into town and enters an occult shop. The store clerk, a young woman [TBC], greets her with “Blessed be,” and Phoebe remembers that that’s how Melinda greeted her. Phoebe glances around the store, and picks up a book called "Wicca for Dummies”, but quickly puts it down. She keeps looking and finally finds a section in the back of the shop that has books on witches and warlocks. She spots a book entitled "The Eternal Battle of Witches and warlocks”. She flicks through the book and can’t stop reading. She discovers that warlocks are determined to steal witches’ powers. She learns that they’re human, just like witches, so they can look like anyone and are usually the person you least expect to be a warlock. She also learns that although there are lines of warlocks, just like there are lines of witches like her own, a good witch who murders an innocent - someone who has no knowledge of the magical world - becomes a warlock, while a warlock who save an innocent will turn into a witch. She realizes that this is what both Grams and Melinda meant when they said that the Charmed Ones must protect innocents from evil magic. But the book gives no hint on how a witch is supposed to protect herself.

On her way out of the store, Phoebe bumps into Andy. He’s surprised to see her after so long. After just reading about warlocks and thinking of how Andy has suddenly become a part of their lives right when they received their powers, she gets very nervous, wanting to know what he’s doing in an occult shop. He tells her he’s working on a case and wants to get into the perp’s head by finding this – and he picks up a jewel-encrusted double-edged knife. He raises the knife and Phoebe screams and runs out the door, not looking back.

Outside Quake

Piper is in a phone booth, still trying to get a hold of Phoebe, but still no luck. Suddenly someone touches her shoulder and she screams, but it’s just Jeremy, wanting to know if her audition went well. When he finds out that she’s now officially a chef at Quake, he decides to treat her to a celebration lunch.

Street Somewhere Near Halliwell Manor

Phoebe is biking down a street, heading back towards the Manor, but cannot get Melinda’s warning out of her head while also fearing that Andy is the warlock going after them. But it can’t be Andy! He’s the boy next door, the brother the sisters never had. He only left San Francisco because he got a scholarship for the University of Washington. He wanted Prue to go with him, but she got a scholarship from Stanford and decided to stay in San Francisco. But what if he was a warlock and did know that Grams and Mom were witches and so are Phoebe and her sisters and now that they have their powers… Well, if they have their powers. She hasn’t moved anything with her mind or froze anyone or saw the…but as she turns a corner she’s hit with her first premonition: two teenagers skateboarding recklessly down the street, who are hit by a car. Even as she tries to figure out what just happened, she sees the same teenaged boys skateboarding down the street. Then she spots the car heading towards them. Phoebe screams for the boys to stop, and swings her bike in front of the car. The car misses the boys but hits Phoebe and she goes flying. She hits the ground hard and everything goes black.

As the boys and the driver rush to Phoebe's aid, one of the boys wondering if she's dead, Serena’s cat appears from out of nowhere and stares at all the commotion.

END OF EPISODE

RUTH: I liked this act, glad you decided to let each of the sisters first experience their powers in this first part. Love the set-up with Andy you did, and I think for a cliffhanger this is a good spot to end at. 

Looking forward to reading the second part when I can. 

[summerreading]

Jan 27, 2019 19:10:58 GMT -5 Ruth Marie said:

ACT FOUR

Halliwell Manor - Next Morning

Prue walks into the kitchen to find Phoebe yawning over her breakfast. “Hey, Pheebs, you look like you didn’t get any sleep at all. Are you okay?” Phoebe smiles over Prue calling her by her childhood nickname, thinking it has to be a good sign. “I was up all night, reading the Book of Shadows and I really need to warn you…” “Phoebe!” Prue interrupts. “Not that again! Nothing happened after we read that stupid spell and I don’t have time for your crazy fantasy!” “Prue, it’s not a fantasy. And it’s what Grams wanted us to know about, but we’ve been fighting so much, she died before she could tell us.” “And it’s like Piper said – she was so close to death that she was delusional, and now so are you!” and out the door she goes, slamming it hard behind her. Phoebe sighs in defeat.


Downtown Coffee Shop

Prue bumps into Andy yet again. He puts a comforting hand on her shoulder. “I heard about Grams and I’m so sorry, but I wasn’t sure if it was the right time to come to the funeral.” “That’s okay, but thanks for the flowers. You remembered all of her favorites.” Andy smiles. “Can I call you sometime?” “Sure. I’d like that.”


Halliwell Manor

As Piper heads for her job interview at Quake, ready to follow Grams’ advice and follow her dreams, Phoebe tries to tell her all about Melinda Warren and the Book of Shadows, but Piper wants to listen just as much as Prue did.


American Museum of National History

Prue finds Roger unpacking her collection, using his infamous pen to check that everything that’s supposed to be in the boxes are. She glares at the pen, the one she gave him when he got his master’s and now she wishes she hadn’t. But when she finds out that the board thinks the collection should be given to someone more qualified, she’s infuriated and suddenly the pen breaks and squirts ink all over Roger’s face and she finds that hilarious. Later she goes into his office and finds him facing the window, talking to a board member, taking credit for everything that Prue did with the collection. When he turns around and sees her, he tries to explain, but she interrupts. “I quit.” “Prue, you don’t mean this. Think about it.” “I have. Lousy job. Lousy pay. Lousy boss. What’s to think about?” He tries to wriggle out of it but the more he does, the angrier she gets. “So they wanted someone more qualified to take over the Beals Collection, huh? Well, I hope your razor-sharp mind will make quick work out of the seventy-five computer disks and the hundreds of pages of research that I did and left in my office.” “Prue, you’re going to regret this.” “Oh, no, I’m not. I thought breaking up with you was the best decision I ever made. But this definitely tops that. Good-bye, Roger!” and she spins on her heels. “There better not be any office supplies in that purse!” Now Prue is infuriated – he always has to have the last word! She could just wring his neck! She starts marching away when she hears him moaning and gasping and calling for help. Part of her wants to just leave him, but she can’t. She goes back and finds his tie choking him all on its own. The only way she can stop it is to use a scissor to cut it. As she walks away, she remembers how she wanted to wring his neck and now… Her mind goes back to Phoebe and what happened last night. But, no, Roger probably set it up to try to get her to feel sorry for him and go back to work. Well, that very simply is not going to happen!


Quake

Piper is in the kitchen making her audition meal for Chef Moore. Just as she pours her special ingredient for the sauce - port wine - into a measuring cup, Chef Sebastian Moore [Chris Flanders] enters and puts a spoon into her dish. Piper tries to tell him that she’s not done, but he shushes her and lifts the food towards his mouth. In her panic, Piper waves her hands around and he freezes. Piper is confused, but wastes no time and grabs a baster and adds some port wine to both her dish and the spoonful. When he unfreezes he tastes it and loves it. He wants her to start that night and Piper happily agrees.

She gets so excited she tries to call Phoebe, first to tell her that she got the job and second to tell her about Chef Moore freezing, but Phoebe has just left the house, so Piper leaves a voice mail instead.


Downtown Occult Shop

Phoebe rides her bike into town and enters an occult shop. The store clerk, a young woman [TBC], greets her with “Blessed be,” and Phoebe remembers that that’s how Melinda greeted her. Phoebe glances around the store, and picks up a book called "Wicca for Dummies”, but quickly puts it down. She keeps looking and finally finds a section in the back of the shop that has books on witches and warlocks. She spots a book entitled "The Eternal Battle of Witches and warlocks”. She flicks through the book and can’t stop reading. She discovers that warlocks are determined to steal witches’ powers. She learns that they’re human, just like witches, so they can look like anyone and are usually the person you least expect to be a warlock. She also learns that although there are lines of warlocks, just like there are lines of witches like her own, a good witch who murders an innocent - someone who has no knowledge of the magical world - becomes a warlock, while a warlock who save an innocent will turn into a witch. She realizes that this is what both Grams and Melinda meant when they said that the Charmed Ones must protect innocents from evil magic. But the book gives no hint on how a witch is supposed to protect herself.

On her way out of the store, Phoebe bumps into Andy. He’s surprised to see her after so long. After just reading about warlocks and thinking of how Andy has suddenly become a part of their lives right when they received their powers, she gets very nervous, wanting to know what he’s doing in an occult shop. He tells her he’s working on a case and wants to get into the perp’s head by finding this – and he picks up a jewel-encrusted double-edged knife. He raises the knife and Phoebe screams and runs out the door, not looking back.

Outside Quake

Piper is in a phone booth, still trying to get a hold of Phoebe, but still no luck. Suddenly someone touches her shoulder and she screams, but it’s just Jeremy, wanting to know if her audition went well. When he finds out that she’s now officially a chef at Quake, he decides to treat her to a celebration lunch.

Street Somewhere Near Halliwell Manor

Phoebe is biking down a street, heading back towards the Manor, but cannot get Melinda’s warning out of her head while also fearing that Andy is the warlock going after them. But it can’t be Andy! He’s the boy next door, the brother the sisters never had. He only left San Francisco because he got a scholarship for the University of Washington. He wanted Prue to go with him, but she got a scholarship from Stanford and decided to stay in San Francisco. But what if he was a warlock and did know that Grams and Mom were witches and so are Phoebe and her sisters and now that they have their powers… Well, if they have their powers. She hasn’t moved anything with her mind or froze anyone or saw the…but as she turns a corner she’s hit with her first premonition: two teenagers skateboarding recklessly down the street, who are hit by a car. Even as she tries to figure out what just happened, she sees the same teenaged boys skateboarding down the street. Then she spots the car heading towards them. Phoebe screams for the boys to stop, and swings her bike in front of the car. The car misses the boys but hits Phoebe and she goes flying. She hits the ground hard and everything goes black.

As the boys and the driver rush to Phoebe's aid, one of the boys wondering if she's dead, Serena’s cat appears from out of nowhere and stares at all the commotion.

END OF EPISODE

RUTH: I liked this act, glad you decided to let each of the sisters first experience their powers in this first part. Love the set-up with Andy you did, and I think for a cliffhanger this is a good spot to end at. 

Looking forward to reading the second part when I can. 

SUMMER: I'm glad you liked it. I wanted to leave lots of story build-up for the second part.

Can't wait to see what you think of the rest.

[summerreading]

Hi everyone, I started sharing and posted my story at FF.net. I'm hoping to do the same with future stories. 

If anyone wishes to post their reviews at FF.net, you are more than welcome to do so. If anyone who already read and posted a review at the Cafe wants to repost their review at FF.net, you are again more than welcome. 

Thanks. 


Here is the link:
www.fanfiction.net/~summerreading

[summerreading]

Hi everyone, I have finally completed the next episode in my series for the third episode.

You can read the teaser here: www.fanfiction.net/s/13202653/9/Charmed-ReImagined

If you'd like to comment on it at FF.net directly, and you don't need an account to a review, and or you'd like to bring it over here, go for it!

[prudencehalliwell]

Apr 10, 2019 20:38:38 GMT -5 summerreading said:

Hi everyone, I have finally completed the next episode in my series for the third episode.

You can read the teaser here: www.fanfiction.net/s/13202653/9/Charmed-ReImagined

If you'd like to comment on it at FF.net directly, and you don't need an account to a review, and or you'd like to bring it over here, go for it?

Summer, I'm so very excited to see you have written with this episode. I might review it and read when I have some time. But excited to read it and see what you have installed for us this time.

[summerreading]

Apr 10, 2019 20:50:41 GMT -5 prudencehalliwell said:

Apr 10, 2019 20:38:38 GMT -5 summerreading said:

Hi everyone, I have finally completed the next episode in my series for the third episode.

You can read the teaser here: www.fanfiction.net/s/13202653/9/Charmed-ReImagined

If you'd like to comment on it at FF.net directly, and you don't need an account to a review, and or you'd like to bring it over here, go for it!

Summer, I'm so very excited to see you have written with this episode. I might review it and read when I have some time. But excited to read it and see what you have installed for us this time.

Yup, I'm pleased and happy with how it turned out. That's okay Prudence, whenever you have time to read and review, I look forward to seeing what you think.

[prudencehalliwell]

I've caught up and read Act One and Act Two of your story, and left comments at FF.net.

I loved how this story is coming along. Lots of good changes, and I love that you decided to let the third episode have a female villain. Also, love the sisterly moments, you continue to really do that so well.

Prue and Andy's storyline is so much better in this episode than the original.

[summerreading]

Apr 15, 2019 19:18:14 GMT -5 prudencehalliwell said:

I've caught up and read Act One and Act Two of your story, and left comments at FF.net.

I loved how this story is coming along. Lots of good changes, and I love that you decided to let the third episode have a female villain. Also, love the sisterly moments, you continue to really do that so well.

Prue and Andy's storyline is so much better in this episode than the original.

I'm glad you are enjoying it Prudence and are happy with the changes I made.

[prudencehalliwell]

Apr 15, 2019 19:21:56 GMT -5 summerreading said:

Apr 15, 2019 19:18:14 GMT -5 prudencehalliwell said:

I've caught up and read Act One and Act Two of your story, and left comments at FF.net.

I loved how this story is coming along. Lots of good changes, and I love that you decided to let the third episode have a female villain. Also, love the sisterly moments, you continue to really do that so well.

Prue and Andy's storyline is so much better in this episode than the original.

I'm glad you are enjoying it Prudence and are happy with the changes I made.

Can't wait to see more. Especially to find out what happens with Prue and Andy and Prue with her job, and also if Piper's church fears are the same as the original with how it wraps up.

[summerreading]

SUMMER: Hi everyone, I have finally finished my third episode in my C:RI series, and am going to post it here for you all.

I'm determined to finish C:RI - at least the first chapter - that the decision to do a second season will depend upon our post-S2-re-watch discussions - but due to the problems I am am having with being consistent, I've decided that I am not going to publicly post more until you finish the first half.
 

Feel free to review and comment on the story at your own pace. And I'd appreciate any comments posted at FF.net where I also have my series. (https://www.fanfiction.net/s/13202653/9/Charmed-ReImagined)

---

CHARMED RE-IMAGINED
(Based on Charmed, Created by Constance M. Burge)

Season 1, Episode 3: "I’ve Got You Under My Skin”
Written by Summer Reading
Based on Charmed Episode 1x02: “I’ve Got You Under My Skin” written by Brad Kern

Author’s Note: Please note that since I’ve started the pattern of using the title of the show/book that my episode is based on, I’m going to continue that pattern, even if this episode doesn’t fit the title. If I wasn’t doing it that way, I’d call it “My Lucky Day”…

---

TEASER

Halliwell Manor – Near sunset, six days after the previous episode

Phoebe [Alyssa Milano] is talking on the phone with Piper [Holly Marie Combs] who is still at Quake. She rolls her eyes as Piper goes on and on about Chef Moore being a phony who just hired her so he could quit and open his own new place, and now she’s stuck as acting manager, a job she hates. “Any of the customers complaining?” “Phoebe! I’m not a restaurateur; I’m a chef and I have absolutely no idea what I’m doing. Please, Pheebs, find Prue and both of you get over here so I can vent at you and not at the other employees so they don’t all quit and the owner fires me! You do and you can have dinner here on me, especially since Jeremy is still out of town working on that story and probably will be for another week. If I can’t rant at my boyfriend, at least let me rant at my sisters.” “Sorry, Piper, but Prue is still busy trying to look for work since her last boss turned out to be a warlock. That was only a week ago,” Phoebe reminds her. “How do you get over having been involved with a warlock? That’s probably why she won’t answer Andy’s call. Look, I’ll get there as soon as I can.”

Even as Phoebe hangs up the phone, Prue [Shannen Doherty] walks in. “Hey! Great timing! That was Piper on the phone. With Jeremy gone, she needs her sisters. She wants us at Quake as soon as possible.” “Okay, if we can stop at the photoshop.” “You still haven’t dropped off that film you found in Grams’ room?” “No, been too busy, but it’s on the way to Quake. And while I'm at it, I'll drop off my roll from Gram's funeral.” “Speaking of being busy, any luck?” “No, I’m still jobless. But I saw in the want ads that Buckland’s Auction House is looking for a specialist.” “Oooo, that sounds right down your alley!” “Yeah, I think so, too. I called and got an appointment with the owner for tomorrow afternoon.” “Hey! That’s not that far away from Quake either. That could be perfect.”

A Photoshop in Downtown San Francisco

Prue and Phoebe are exiting the photoshop when Prue realizes she left her purse and hurries back in. While waiting for her, Phoebe spots a newsstand and decides to get some gum and a magazine. She notices an elderly couple looking at an ad for lottery tickets. "Look, dear," says the old woman. "The prize is a million dollars." "Yes,” replies the old man. “Let's try and use our grandchildren's birthday. We win, we might not lose our home." Phoebe's tender heart aches at the thought of them losing their home as she picks up a pack of gum. A premonition hits her – a newscaster announcing the winning numbers. She smiles, loving her power when it helps her help others. “I think today might be your lucky day if rather than your grandkids' birthday, you try 4, 16, 19, 30, 32 and 40.” “Oh, yes, dear,” the little old lady says. “Let’s try.” The old man nods, but adds, “Let’s try both. We’d never forgive ourselves if the winner is our grandchildren’s birthday and we didn’t use them.” He turns towards Phoebe. “What were those numbers again?” After reminding them of the numbers, Phoebe picks up a magazine, flipping through it. Then smirking, thinking about the dress she saw in a shop window and all of the repairs the Manor needs, she gives the same numbers to the clerk before paying for it along with the gum and the magazine. Then she hurries back to the photoshop just as Prue comes out with her purse. “Okay, Pheebs, what are you smirking about?” “Oh, I don’t know, Prue. I just got a funny feeling that tomorrow might be my lucky day.”

Quake – Later that night

Quake looks much busier now, and Prue and Phoebe are just finishing their dinner as an annoyed Piper marches off to tell off a waiter who she thinks isn’t moving fast enough. Prue and Phoebe are about to leave when they spot a pretty young woman (Cynthia King) sitting down at the next table. “Brittany!” Phoebe exclaims. “It’s so good to see you!” “Come join us,” Prue invites, and smiling, Brittany Reynolds leaves her table to sit with them. “I can only stay for a minute or two,” Brittany tells them, “but I had to show you.” She shows off the angel tattoo on her wrist. “Ooo,” Phoebe squeals. “I love it!” Brittany smiles. “It’s in honor of my mother.” “Oh, Brit!” Prue smiles. “I’ll bet she’d really like that you did that.” Britney smiles. “And I can finally afford one – my career is about to take off.” She glances at her watch. “Oh, no! It’s later than I thought it was, so I’m afraid I really gotta get going, but it was great seeing you guys again. Take care.” “You, too, Brittany. Give our best to Matt.” “Will do. Tell Piper the food was even better than before.” “Definitely!” As Brittany walks away, Prue sighs. “When and if my career ever takes off, you, me and Piper are going to get angel tattoos in honor of Grams,” and Phoebe smiles.

Quake – Parking lot

Brittany is just getting into her car. She puts on her seat belt and then reaches up to adjust her rearview mirror when her eyes grow large as she screams in terror. The screen goes black and the opening credits of "Charmed Re-Imagined" roll.

[summerreading]

ACT ONE

Halliwell Manor – The next morning

After seeing stock footage of the sun rising over San Francisco as a song plays and the guest credits roll, we cut back to Halliwell Manor. Prue’s convertible and Piper’s SUV are parked in the front.

Piper is feeding the cat, but her attention is focused on the small television set sitting on the counter, which is showing an A&E-like documentary on Salem and witches. She watches as Mary Estes, one of those accused of practicing witchcraft, runs for the church and as she tries to enter the church, she’s struck by a bolt of lightning.

Even as Piper screams, Prue runs in. “Piper! What’s wrong?” Then she sees what’s on the set and rolls her eyes. “Piper! You’re not afraid that we will be found guilty of witchcraft and hung like Melinda Warren, are you?” Piper laughs nervously as she reaches up to turn off the set, quickly changing the subject. “Andy called while you were in the shower.” Prue nibbles on her fingernails, a sure sign she’s nervous. “What did you tell him?” Piper rolls her eyes. “What else would I tell him? I told him you’re in the shower. Prue, why won’t you call Andy and agree to go out with him? It’s been a week since we vanquished Roger.” “But Andy just got back from Washington after divorcing Susan. What if it goes badly?” Again Piper rolls her eyes. “We’ve known Andy since we were kids, Prue, what don’t we know? Besides, Andy isn’t a warlock - that was your horrible pig of an ex Roger.” Prue sighs. “I know, but right now all of my attention has to be on finding a job. Who wants to date someone who is unemployed?”

They go into the dining room, where they spot Phoebe. “Pheebs!” laughs Piper. “You look like you just woke up.” “That’s because I did. Prue, did I hear you tell Piper that you’re still not returning poor Andy’s call?” “Well, if you heard that, you also heard what I told her.” It’s Phoebe’s turn to roll her eyes at Prue. “You know that won’t bother Andy at all. C’mon, Prue, just go for it. You had a good time catching up with him at Quake a week ago, didn’t you?” “Well, yeah,” Prue has to admit. “So why are you holding back? You left Roger months ago and he is now vanquished forever. What is really holding you back?” “What about you, little Miss-Sleep-Until-8:00 - what time did you get home last night?” “Don’t change the subject, Prue!” and Phoebe pushes Prue to the phone. Phoebe picks up the receiver and hands it to her sister before dialing Andy’s number at the station.

But Andy doesn’t answer; Darryl (Dorian Gregory) does. Prue says she’s looking for Andy and Darryl says he’ll pass on the message. Even as Prue passes this response to Phoebe, the phone rings. Prue hesitates, so Phoebe sighs impatiently and grabs the receiver. “Andy! It’s so good to hear from you! Prue? Why, yes, she’s right here.” She hands the receiver to Prue. “Hey, Prue! It’s Andy, returning your call. I just know you want to talk to him.” Prue glares at her, but says hi to Andy while Piper and Phoebe snicker and giggle. Prue glares at them, “Would you two quiet down? Now what were you saying, Andy?” “I had such a nice time talking with you at Quake that I'd like to take you out to a nice lunch on me at Maxim’s. You remember Maxim’s, Prue. It’s where we went after our senior prom.” "But that was a real date. You can’t go casual like we could at Quake.” "Yes, I’d like to go on a real date with you, Prue, even if it’s only for lunch. Is that something you’d be interested in?" Prue considers, then takes a deep breath and lets it out. “Yes, Andy, I think it is.” “Great! I’ll pick up at 2.” “No, that won’t work. I have a job interview at 4.” “Okay, then I’ll pick you up at 11.” “Perfect,” and Phoebe and Piper high-five while Prue hopes she’s not making a mistake.

San Francisco Police Station

Andy hangs up the phone to see Darryl bring a young man (Ben Caswell) into the station. “This is Matt Reynolds,” Darryl tells Andy. “His wife is missing.” Matt shows Andy a picture of Brittany. “It’s just not like Brittany to not call if she’s not coming home at night. She called me after leaving Quake at 7:00 last night and said she was on her way home, but she never made it.” “Well, it hasn’t been 24 hours yet and we really can’t count her as a missing person until then. Chances are she’ll show up long before that.” “Well, we did have a small argument just before she left.” “And she called you to tell her she was on her way. She’s probably staying at a friend’s – probably wanted to vent about the argument. She might even be there when you get home. It’s only 8:00.” “Yeah, maybe. Thanks for your help. If she’s still missing after 24 hours, I’ll be back,” and Matt leaves. Darryl sighs. “I would’ve just taken care of it myself, but that’s the fourth pretty young woman who has disappeared this week. So, did Prue agree to see you?” “Yeah, she did. We’re having lunch at Maxim’s at 11.” “Well, you better tell her to be sure to lock her door at night.”

Outside a Catholic church – Later that morning

Piper is sitting in her SUV, and someone knocks on the window. Seeing Father Williams (Marc Shelton), Piper screams. “Oh, Piper, I didn’t mean to scare you. But isn’t it a little early dropping off the unused food from Quake? Don’t you usually come in later after the lunch rush?” “Yeah, and I will, both then and after the supper rush.” “So, why are you here now?” “Oh, I don’t know, Father. I was just thinking about Mary Esty.” “Yes, I saw that documentary this morning. But why would you still be thinking about her?” “Well, I’m not Catholic, but I wondered if it’s true.” “What’s true?” “The bit about evil beings unable to go into a church. Evil beings like her…like witches.” Father Williams smiles. “Well, I sure wouldn’t want to risk it, just in case it’s true. But then I’ve never met a witch, so I really don’t know. See you later, Piper,” and he walks off. She laughs nervously. “Yeah, right, you haven’t.” Taking a deep breath, she gets out of the SUV and slowly walks over to the church door. But just as she grabs the handle, there’s a loud crack of thunder, and she runs off screaming.

The Photoshop

Prue is at the counter. “You don’t understand. I asked for a rush to be put on them.” The clerk (Todd Fedman) glances at her order number, checks his computer. “Sorry, they’re still not ready and won’t be for a couple days. At least your other roll is here and the gal doing the processing said they are really nice. She said there’s a couple of them that are truly lovely. So, are you a professional photographer?” “No, although when I was young, I always wanted to be a photographer.” “Well, may I see the pictures?” “Sure,” and Prue shows him the pictures and he admires them. The young woman (TBC) standing behind her also looks at them.

As Prue turns to leave, her phone rings. “Hello.” “Prue, it’s Andy. I’m so sorry, but I’m going to have to reschedule our date. I hope you don’t mind.” “No, Andy. I understand. Why don’t you call me after you get the reservation?” “Okay, I can do that. See ya, Prue.” “See ya” and she ends the call. The young woman quickly pays for her own photos and when Prue turns to leave, she grabs Prue’s arm. “Excuse me, but I couldn’t help but overhear that you always wanted to be a photographer. And when I saw your pictures, well, let me tell you, I know talent when I see it and you definitely have talent.” Prue smiles and thanks her. “My company – The Emily Talent Agency – well, you are perfect for it. You see, my agency helps young people with talent find their dreams and inspires them to be their best.” “Wow,” Prue exclaims. “I’m in the process of looking for work. But I have a job interview this afternoon.” Emily still hands Prue her card, “What did you say your name is?” “Prue. Prue Halliwell.” “Well, Prue, if that’s not an interview at a photo studio and you want to follow your dreams, give me a call.” Prue takes the card.

Quake

Phoebe is helping Piper out. She hands a menu to a guy (Michael Phillip). There is a woman (Tamara Krinksy) sitting next to him. “I’m sorry,” Phoebe apologizes, “but I can’t help myself. Are you Stefan?” He smiles. “Yes, I am. Have we met?” Phoebe smiles back, “I’m familiar with your work…like everyone else in the world.” His smile grows bigger. “I’ll take that as a compliment from a gorgeous woman.” “I’m sure your girlfriend must appreciate that,” she whispers. He laughs and whispers back, “She’s not my girlfriend.” The woman rolls her eyes. “I get the hint. It was nice to meet you, Stefan, but…” “Oh!” cries Phoebe. “Don’t let me shoo you away.” “Definitely not,” Stefan agrees. “Because if you’re really a model and interested in doing a photo shoot, I’d love to use you.” He takes out his card and hands it to her. She takes it, glances at it, smiles and leaves.

Piper walks up, “Phoebe, one of the drivers just called in sick. Would you like to make a quick delivery?” “Sure. Hey, tell me, is that tall, dark and handsome guy still looking at me?” Piper rolls her eyes. “Phoebe, there’s a lot of guys at the bar looking at you. There’s always a lot of guys sitting at the bar looking at you.” “He’s the one sitting at the end of the bar,” but when she turns to point him out, Stefan is gone.

Stefan’s Photography Studio - Later

Stefan has just finished a shoot with the woman. He becomes violent with her, freaking her out. She screams, “I’m never going to show up here again!” and makes a run for it. He shrugs, then goes into the back room where we see a figure comes up from behind and knock Stefan out. The figure steps out from the shadows and we see it’s Emily. Her phone rings and it’s Prue. “I’ve decided to meet you after all.” Emily smiles. “Wonderful. Why not come to my studio in an hour?” “Sure, especially since my lunch date cancelled on me. That should give me enough time to go home and put together a collection of my photos.” “That’s perfect, Prue.” As she hangs up her phone, Emily smiles at Stefan, still lying on the floor. Suddenly an essence comes out of him and goes into her as her own eyes glow brightly yellow while Stefan’s eyes go blank – he’s dead.

[summerreading]

ACT TWO

The Emily Talent Agency

Prue walks into Emily’s office, excited. Emily smiles. “Hello, Prue. Have a seat.” Prue sits as she hands her an envelope and Emily opens it and pulls out the photos, looks through them. “Oh, Prue! These are even more wonderful than I thought they’d be. I’m going to make some calls and make sure everyone can see them. You’re going to become a very famous photographer.” “Well, that’s always been my dream, but this really does feel too good to be true.” Emily just smiles and begins naming various San Francisco artists, including photographers like Stefan, whom she says she helped, and she shows Prue pictures of her with these artists. “They all had dreams, Prue. Just like you. And I helped them find those dreams.”

As Prue considers this, the phone rings. Emily listens and then smiles. “Great. Let’s get together soon. I’ll keep you posted.”

Outside the Catholic church—After the lunch rush

Piper and Phoebe get out of the Quake van. “I wonder how Prue and Andy’s date went and if this will lead to them having sex.” Piper shrugs. “After a lunch date at Maxim? No, I think it will take more than that. After all, according to Prue, they never did it when they were in high school. Just think. Her first time was with a warlock.” Both sisters go “EWWWW!” “Well, didn’t you and Jeremy have sex after your first date?” “I did not! Not until the third or fourth. Something like that.” “Hey, now that Andy and Prue are back together, do you think they’ll get married?” “Well, you know how Grams always hoped they would be more than just friends and was so disappointed when he married Susan instead. But now that they’re divorced...” “And now that Prue knows she’s a witch…” “Yeah, I’m not sure if that’s a good thing or not. Just like I don’t know what Jeremy will think when he finds out.” “So, you haven’t told him yet?” “I’m not sure how. And just when I had some ideas, he got called away on that story. But I will, just as soon as I can.”

While they’ve been talking, they’ve been taking trays of extra food from Quake out of the van. Now Father Williams comes up to them. He greets Phoebe with a hug. “So, you decided to say goodbye to the Big Apple, huh, Phoebe?” “Yeah, I ate the worm,” Phoebe jokes. He becomes serious. “I’m still very sorry about Grams’ passing. She was a lovely lady.” Phoebe smiles. “Thank you.” She turns to Piper. “I’m going to try to get a hold of Prue so we can find out how that date went. I can’t wait until tonight to hear all the deets.” Piper smiles. “Sure.”

Piper waits until Phoebe is out of hearing range, talking about other things with Father Williams. Then she takes a large breath and lets it out. “Father, here’s the deal. I’ve got this friend. Has a little problem. Could be bad. Could be very bad. Not quite sure what to tell her.” “Do you want to go inside?” Piper jumps back in fear. “No! I mean I’ve gotta get back to Quake soon.” “So, what’s the problem, Piper? I know you and your family aren’t part of my flock, but I’ll do my best to help.” “Well, you see, there’s this friend of mine, she kinda, sorta thinks that she might be a witch.” He frowns. “Witches again, huh?” His tone frightens Piper. “Not a good thing, is it?” “No. Not according to the Bible. Exodus 22:18: Thou shalt not suffer a witch to live.” Piper stares at him in shock. “Meaning…?” “Well, if you go by old school, it means put her to death. She’s evil, someone who gave her soul to the Devil and has become his bride.”

Even as Piper stares at him in shock, Phoebe returns. “Andy had to cancel. Piper! Are you okay?” “Yeah, I’m fine. I’m just still not sure what to tell Brittany.” “Brittany?” “Yeah, I told Father about her problem.” “Oh, right. Brittany.” She smiles at Father Williams, showing all of her teeth. Piper rolls her eyes at her. “We better bring these around to the kitchen so we can get back to Quake.” “Piper, be sure to tell your friend that she should renounce Satan right now.” “Yes, we will.”

Outside Quake - Later

Andy and Darryl are sitting in their squad car talking about the case, frustrated that they haven’t found any clues about what has happened to these women. “So why did you cancel on Prue?” Darryl asks, changing the topic. “Don’t tell me it was because of the case because you know it wasn’t. C’mon, Trudeau! You’ve told me that you and Prue grew up together, were high school sweethearts. She sounds like a perfectly safe date for your first one since the divorce. So, why are you so nervous? Just go for it!”

Even as Andy considers this, he sees Prue get out of her car and walk towards Quake. Darryl grins. “I think I’ll just head across the street and grab the ATM tapes and see if I see anything. It’ll probably just take five minutes. Go on, Trudeau. You need to talk to her. Just let her know how you feel.”

Quake - Kitchen

Piper’s busy cooking when Prue walks in. “My day sure has been full of ups and downs. First Andy invites me on a real date, then he cancels, but then I might have the best offer ever. Someone saw my photos from Grams’ funeral and she thinks I really have talent. She wants to help me become a professional photographer!” “But don’t you have that interview later this afternoon?” “Yeah, with Buckland’s. If this doesn’t work out, Buckland’s can be my backup.”

Phoebe walks in, smiling, wearing a new dress, still excited about her lottery ticket. She’s surprised to see Prue. “I tried calling you and your line was busy. So how did the date go?” Prue sighs. “It didn’t. Andy cancelled. But that’s okay, because maybe something wonderful is about to happen,” and she tells Phoebe about Emily and her agency. Phoebe is excited for her, but still disappointed about Andy. “Why would Andy do that?” Prue shrugs. “I’m going to guess that a case came up. Or maybe he’s just not as interested as he claims.”

“Hey, Pheebs,” Piper asks, changing the topic. “Is that a new dress?” Phoebe twirls, showing it off. “Yeah. It’s Armani; just got it. Do you like it?” “It’s lovely,” Prue replies. “But just how do you plan on paying for it, Miss Still-Broke?” Phoebe grins. “Not for long. I bought a lottery ticket.” “Phoebe!” Piper exclaims. “Do you know what the odds are in winning something like that?” Phoebe smirks. “Not when you get a premonition showing the winning numbers.” “Phoebe Halliwell!” Now it’s Prue’s turn to protest. “What did you want me to do?” Phoebe demands. “Ignore the premonition? Not help a needy family. That's what we're supposed to do, right?” “Yes, we are,” Prue agrees, before insisting, “but we are not supposed to use our powers for our own personal gain. That's what you said it says in the Book of Shadows.” “Not so loud!” Piper frets. Phoebe doesn’t listen to her but keeps glaring at Prue. “You said we needed money for repairs, right? We'll I'm getting some.” ”C’mon, you guys,” Piper begs. But Prue isn’t listening to Piper any more than Phoebe is. “Well, get a job like everybody else, like I’m trying to do.”

Just then Andy walked into the kitchen, asking, “Prue?” just as he bumps into a guy holding a pile of plates. “Watch it!” Piper screams, waving her hands and everyone freezes, including the plates which freeze just before they hit the floor. “Oh, no!” Piper screams. “No, no, no, no, no, not again!” Prue glares at Phoebe. “Now look what you've done!” “How is this my fault?” Phoebe protests. Piper is curious about something else. “You guys aren't freezing?” Phoebe shrugs. “I guess it doesn't work on witches. Piper, how long does it last?” As Piper replies, “I don’t know, but not long,” Prue looks out the door. “Uh, it doesn't work out there either.” Piper looks up to Heaven. “Oh, please tell me this isn't happening.” “Calm down, Piper,” Phoebe soothes. “It's okay. It's all gonna be okay.” Prue has still been watching out the door. “Oh, God, Andy's partner just came in and he's headed this way.” “What are we gonna do?” Piper wails. “Stall him until Andy unfreezes,” Phoebe suggests as Prue runs out of the kitchen.

Quake – Dining room

Prue hurries up to Darryl. “Hey, Inspector Morris, right?” Darryl nods. “That's right. And you’re Prue. Is Trudeau back there? “Uh, Andy?” Prue shrugs. “I don't know, is he?”

Quake – Back in the kitchen

Phoebe is fanning Piper with a menu. “Okay, breathe, Piper; just breathe.” Just as Darryl opens the door, everyone unfreezes and the plates fall on the floor and break. “I really think we should talk.” Andy is finishing his sentence, but then he notices that Darryl is there. “Morris? What are you doing here? I thought you said five minutes.” Darryl nods. “Yeah, I gave you ten.” “Guys,” Piper shouts. “You know, we're really busy in here.” Andy nods and then tells Prue, “I’ll call you later. I promise.” Prue nods. “Okay.” Phoebe waves bye and follows them as everyone but Piper leaves. She sighs unhappily as she starts cleaning up the mess. “I hate being a witch.”

[summerreading]

ACT THREE

Halliwell Manor – Attic--Later

Prue and Phoebe walk in to find Piper looking in the Book of Shadows. “What are you doing here and not at Quake?” Phoebe asks. Piper shrugs as she leaves the Book of Shadows and flops down on the ancient old couch. “It slowed down and I decided to take a break. I need it. I couldn’t stop thinking about everything and about how totally screwed up we are now that we are witches.” Prue and Phoebe sit on either side of her, trying to comfort her, but no such luck. "I just wish that we had they found out sooner,” Piper moans. “Maybe Grams could have helped us get ready. I’m just afraid of what might happen,” she confesses. “Pheebs, I’m so envious of you. You’re not afraid of anything and you were the only one among us three who believed Grams.” Phoebe shrugs. “Yeah, well not being afraid gets me into trouble sometimes." Piper sighs. “I just want our lives to be back to when it was like everyone else’s. You know, rushing off to work, going out on bad dates, having good dates canceled.” Prue sighs. “Well, the good dates getting cancelled part is still true."

"I just want to know if being a witch is a good thing.” “Oh, Piper!” Phoebe exclaims. “It’s not a good thing; it’s a great thing! Especially because Grams was right – we are so destined for greatness! We already proved that when we vanquished Roger, and I’ve helped that little old couple save their house!” “No,” Piper insists. “I don’t mean good that way, I mean what if rather than a good thing, it’s an evil thing. That now we’re brides of Satan like the Bible says.”

Prue rolls her eyes. “That’s a whole different thing, Piper. That’s what the ancients thought witches were because they didn’t understand their powers. People always fear something they don’t understand. But none of us agreed to surrender our souls to Satan and that’s how you become one of his brides. Our powers don’t come from him; they come from our ancestors.” Phoebe nods. “Exactly. There was nothing in the Book of Shadows about Melinda becoming the bride of Satan to get her powers, so if she didn’t, then neither did Grams or Mom or us. And remember what the ghost of Melinda Warren told me – that we’re meant to do good things with our powers, helping those innocent of the reality of magic and also using them to fight evil. We can’t fight evil if we are ourselves aren’t good.”

“But what about what Father told me and what about that thunder when I tried to go in the church? I just touched the handle, you guys, and BOOM!” Phoebe smiles and takes Piper’s hand. “Just a coincidence. And you know what we’re gonna do? I’m gonna go with you to that church and I’m gonna hold your hand and I’m gonna walk you up to that church door and watch you open that door and walk inside just to prove you wrong.” Prue nods. “We are good witches, Piper. I’ll admit that what Roger said about more warlocks coming after us, it does scare me, too.” “You see? We just don’t know, and Grams isn’t here to help us, and I just want to be normal again.” Phoebe hugs. “Piper, you’re the sweetest, most caring person I know. No way you’re evil. We’re going to that church and you’ll see.” Prue nods. “Grams always said you were the heart of this family, and that is the absolute truth". “Besides,” Phoebe adds ruefully. “if anyone is concerned about being bad, it should be me, not you. But I still know I’m gonna walk right inside that church with you.”

The three of them share a warm sisterly hug. Piper softly says, "Thanks for this chat, you two. I really did need my sisters." The other two just smile happily, but as they pull apart from their embrace, Prue exclaims, “Oh! I’ve got to get going for my second meeting with Emily and then if that doesn’t work out, my interview at Buckland’s!”

Outside the Catholic church - Later

Piper and Phoebe are sitting in Piper’s SUV. Piper is starting to hyperventilate in fear again. “C’mon,” Phoebe soothes. “Just calm down and breathe. Just remember that you have nothing to be afraid of.” Piper takes a deep breath and nods. She chants to herself. “I have nothing to be afraid of. I’m a good witch; I have nothing to be afraid of. I’m a good witch; I have nothing to be afraid of". Phoebe smiles as she gets out of the SUV and hurries to the other side to stand by Piper’s door, waiting for Piper to open it when Piper chants, “I have nothing to be afraid of – YES, I DO!” Phoebe rolls her eyes as she pulls the door open. “No, you don’t!” She grabs her sister’s hand, pulls her out of the SUV and then leads her up the steps to the church door. “C’mon, Piper, you have this! Now like Nike says, just do it!”

Piper takes a deep breath, takes the handle and pulls the door open a little ways, just far enough so she can poke her foot inside. When nothing happens, she pulls the door all the way open and steps inside, screaming, “I’M GOOD!!!" Phoebe steps inside and hugs her sister. “Told you so."

The two walk back to the SUV, when Phoebe spots someone. “Brittany!” she calls. Brittany hurries over to them. “Sh! Don’t let anyone hear you. I’m in danger, great danger, and if you’re seen with me, you might be in danger, too!” “Let us worry about that,” Piper insists.

Halliwell Manor - Later

Piper and Phoebe lead Brittany into the house and into the bright sun shining through the windows of the sun room. Brittany sits down in one of the wicker chairs while Piper and Phoebe sit on the wicker couch. “Tell us what happened,” Phoebe soothingly says. Brittany shivers in fear. “I’ve been too scared to tell anyone because she might come back. So, I was going to talk with Father, but then I found you guys.” “Everything is going to be okay,” Piper soothes. “You’ll see. Just tell us what happened.”

Brittany nods, then takes a deep breath and sighs. “Well, after I left you guys at Quake and got in my car, someone was already in it. I know this sounds crazy, you guys, but it’s true. It was someone with yellow eyes.” Piper and Phoebe share looks. “We believe you,” Piper tells her. “Just go on.” Brittany smiles, glad that they don’t think she’s crazy. She continues, “Now I admit it, I stopped off at a bar before I went to Quake, so maybe I was a little drunk, but I’m still certain it was my talent agent. But how could my talent agent have yellow eyes?” “Don’t worry about that,” Piper soothes. “Just tell us what happened.” “Well, she tried to grab me from behind, but I pepper-sprayed her, and jumped out of the car. As I ran, she warned me that I better not try telling Matt or the police or anyone or I’m a dead woman. So, I ran, and ran and was so scared for my life. I didn’t want to go home and maybe have her hurt Matt, so I stayed at a hotel last night, but I just couldn’t let anyone know where I was.”

Piper nods. “We understand.” Phoebe nods. “I would’ve done the same thing if I was in your shoes.” Their words relax Brittany even more as she continues, “I decided that the only possible safe haven is my church and Father Williams, who’s always been so good to me. But when I got there, you called out to me, and agreed to help.” Phoebe takes Brittany's hand. “Don’t worry, Brittany, we’ll look out for you and make sure you’re safe.”

Suddenly Piper’s eyes grow big. “Piper?” Phoebe asks. “What is it?” “Oh, no! Prue! Brittany, what’s the name of that talent agent of yours?” “Emily, why?” “Omigod! Prue is going to see her right now!”

The Emily Talent Agency

Emily is pleased that Prue is back. “I’ve contacted a number of people, Prue, who are very excited to see your pictures. I predict that your photos are going to help you become very big.” Suddenly we see through Emily’s eyes and we see that Prue is now glowing, a sign that Emily senses something about Prue—the same thing she was sucking out of Stefan earlier.

Halliwell Manor

“No, Piper,” Phoebe is insisting. “There must be more than one talent agent in San Francisco named Emily.” “Oh, I know!” and Piper jumps up and runs into the kitchen, grabs something off the fridge and runs back. “She gave Prue this card. It has her picture on it,” and she hands it to Brittany. “Yes,” Brittany insists as she drops the card in fear. “That’s her.” Phoebe picks up the card She’s struck with a premonition of Prue lying on the floor with Emily standing above her, her eyes glowing yellow. “Phoebe?” Brittany asks anxiously. “Are you all right?” “I’m fine,” Phoebe tells her then turns to Piper and mouths the words, “Book of Shadows! Now!”

Piper and Phoebe lead Brittany up the stairs and into Piper’s bedroom. “Just relax,” Piper tells her. “Take it easy and rest. Sleep if you can. Everything is going to be okay.” As she shuts the door she glances at Phoebe. “I hope…”

Halliwell Manor – Attic

The two sisters hurry inside as Phoebe tells Piper what she saw. Piper nods. “I swear I saw a page for a warlock named Emily. Guess women can be warlocks, too.” She flips pages until, sure enough, she lands on the “Emily” page and reads out loud: “This warlock has the power to entice and manipulate struggling artists, actors, photographers and musicians, inspiring them to achieve fame and fortune then drives them to madness and death as she feeds off their desires, which keeps her young.” The two scream in terror for big their sister until Piper points out that there’s a vanquishing spell. In fear, Phoebe tears out the page and stuffs it into her pocket. As they run out the door, she promises to figure a way to put it back later. Despite her fear for Prue, Piper has to roll her eyes at Phoebe.

The Emily Talent Agency – A little later

Prue is now lying tied to a table, and Emily’s eyes now glow brightly yellow as Prue screams, trying to escape. “I see lots of hidden desires inside you, Prue,” the warlock laughs. “You crave so much and those desires are just so tasty. The more famous you become, the tastier those desires will be. And I can tell that you’ll keep me fed for a very long time.”

[summerreading]

ACT FOUR

San Francisco Police Station

Andy and Darryl have just figured out the connection between all of the missing women – The Emily Talent Agency.

Outside The Emily Talent Agency

Piper and Phoebe pull up and run to get to Prue. As they run, Piper wonders, “Shouldn’t we call the police?” “Can’t take time for that,” Phoebe insists. “Besides the spell is a Power of Three one. That means only we three can stop her. Cops can’t.” Just then they hear a loud BANG so they go running inside as quickly as they can.

Inside The Emily Talent Agency

Running inside, Piper and Phoebe are shocked to find out that Prue used her own power to untie the ropes and then throw Emily across the room, knocking her out and causing the BANG her sisters heard. Phoebe shakes her head in admiration. “Looks like Prue took care of herself.” Seeing her sisters, Prue runs to them. “If you’re here, I hope you have a spell.” Phoebe nods and pulls the page out of her pocket. “Phoebe!” Phoebe shrugs. “Vanquish warlock now. Put spell back in the Book of Shadows later.” Prue has to agree, so the Charmed Ones cast the spell and Emily turns into dust and disappears.

Outside The Emily Talent Agency

Andy and Darryl arrive on the scene just as the Halliwells reach Prue’s car. Darryl goes inside to look for Emily while Andy goes over to Prue’s car. “Prue?” he asks. “What are you doing here?” Prue shrugs. “Well, we were just trying to get my car started.” “Yeah,” Piper adds. “Prue called. She was having car troubles.” “Emily was going to make Prue a star photographer,” Phoebe adds. Andy turns to Prue. “Do you have any idea how lucky you are? This woman's a very dangerous stalker who killed a number of women.” Just then Darryl walks out. “No sign of her inside. Her car's here so she might still be around.” “Excuse me,” Andy tells the Halliwells as he reaches in the car and starts it by turning the key. “Hey,” exclaims Piper. “How about that? You fixed it!” Andy glares at her. “Yeah. How about that?” Phoebe looks first at Piper then at Prue then at Andy then back at Piper. “Um, Piper, maybe we should go.” Piper nods. “Prue, we’ll take my SUV; you take your car.” Prue nods and the two of them leave. Prue turns to Andy. “Uh, thanks,” and Andy nods, then leaves.

Quake

Prue and Piper are sitting at a table and Phoebe walks up to them and sits down. Piper smiles. “I’m so happy to know in my heart that our powers are for good, not evil. I’ve gotta admit that helping people is a very good feeling. Speaking of, I’m happy to report that Brittany is safe and sound at home with Max.” Prue and Phoebe high-five with her and each other and then a bit embarrassed, Piper adds, “I’ve gotta admit it. This whole thing is reminding me of Jeremy, so after I talked with Brittany, I called him. He thinks the story he’s working on should be completed by next week.” “Yay!” exclaims Phoebe. “That means he’ll be back.” “We’re happy for you,” Prue tells her. “Yeah, and I’ve gotta admit I miss him more than I want to admit,” and her sisters smile.

“Hey, Prue,” Piper adds, “Speaking of guys, what about Andy? Do you think he’s going to keep ignoring you?” Even as she speaks, Phoebe turns around and spots Andy walking in. “Why, look who just walked in!” “Phoebe! No, you didn’t! You didn’t call him!” “Yes, I did. Someone had to. I told him to just be honest and talk with each other and now I’m telling you the same thing.” “Well, if you got him to do that, I guess I have to thank you, Pheebs. Wish us luck!”

Prue goes over to Andy and they sit down at a table. A waitress walks up. “Are you ready to order? Piper says it’s on the house.” Both smile but admit that they’re not quite ready yet. She smiles and leaves and then Prue says, “You go first” at the same time Andy says, “You go first.” “Please, Andy.” Andy takes a deep breath. “I’m really sorry for canceling on you, Prue. I’ll admit it. There’s a part of me who’s nervous. I haven’t gone out with anyone since my divorce from Susan and I like you too much to use you as a rebound.” Prue smiles. “I understand, Andy, and I’m glad you told me. And what I told you a week ago, about my life being complicated, well, I meant it. And running into you has brought back so many memories, and after what happened with Roger, I’ll admit that maybe I was using you as a rebound, too. After all, I was going to marry him at one point, and unlike you, it’s only been a week since I broke up with him.” Andy smiles. “Well, we’ve known each other our whole lives; we grew up together; we used to be able to share everything with each other.” “Yeah, maybe just jumping back and picking up where we left off isn’t a good idea right now.” “Yeah, maybe it’s for the best if we just take things slow and if we still feel this way in a few months, then maybe we can make it official that we’re going to date. After all, it sounds like we’ve both been given a second chance, and I don’t want to blow it this time. "Neither do I.” They both look at each other and then Prue asks, “So, should we just keep it friends for now?" at the same time Andy does, and they both grin.

Prue’s phone rings and Andy’s pager beeps. “My captain,” Andy says. “Buckland’s – reminder of my interview,” Prue replies, and they smile at each-other before apologizing to the waitress that they never ordered and then start to leave. “Prue, I would very much like to still see you again. Just as a friend.” She smiles. “I would like that, too. Maybe just hanging out at Quake once a week for coffee?” “Yeah, that sounds good. Good luck with your interview.”

Buckland Auction House

The receptionist (Leigh-Allyn Baker) leads Prue down the hall. They move past display cases holding artifacts. Prue wants to look at them closer but keeps following the receptionist. Prue also notices the various planks holding cans of paint. When she asks about it, the receptionist nods. “Yes, Buckland’s is remodeling. My boss does that once or twice a year, just to keep thing fresh. The specialist she chooses will help decide which objects should be put on display.” Now she smiles at Prue. “My boss is very pleased you returned her call. Is it okay if I ask you what changed your mind?” “I had another offer, but it truly turned out to be too good to be true. So I’m very happy that Buckland’s left the offer on the table. “Well, my boss looked over your resume and is very impressed with what you did at the museum.” Prue smiles, now feeling very confident, as they reach a set of double doors. The receptionist opens the doors and the receptionist enters.

The owner of Buckland’s chair is turned towards the windows. The chair turns around to reveal an older dark-haired woman (Cristine Rose). “Ms. Buckland,” the receptionist informs her, “Prue Halliwell is here, interviewing as the specialist.” Claire Buckland nods. “Let her in, Anna.” “Yes, Ms. Buckland,” Anna turns to open the door wider to let Prue inside. Claire reaches out to shake Prue’s hand. “Please have a seat, Ms. Halliwell.” “Thank you, Ms. Buckland. I truly appreciate this opportunity.” “And I’m glad that you’re taking this opportunity. Would you like some coffee? Tea? Water?” “No, thank you. I’m fine.” “Well, then, thank you, Anna. That will be all,” and Anna quickly leaves and closes the door. Claire becomes all business. “All right, Ms. Halliwell. Tell me about yourself.”

Prue tells her about her family and her experiences at the museum without talking about Roger. Claire nods. “Your work at the museum was most impressive, but something else is much more important to me.” “What’s that?” “Whoever I decide to hire should truly want to be here.” ”Well, having seen all of the objects you have in the hallway and curious to see what else you have, I truly want to be here.” “Very well. Speaking of those objects, let me try a little test on you.”

She leads Prue into the hallway and to one of the displays that Prue was admiring earlier. She points to a painting. “What can you tell me about this one?” Prue takes out her loupe and puts it in her eye, checking the painting closely. “It’s a good imitation, but it’s a fake.” “But I was assured it was an original,” Claire protests, but Prue firmly shakes her head. “Well, I hope you didn’t pay too much for it. No way it can be real. It’s too well preserved. No yellowing. Plus, the frame support is made of pine. Italian painters used poplar back then.” For the first time, Claire smiles. “You are the first applicant who has said so, Ms. Halliwell, and you are correct. I painted it myself.” Prue’s own smile grows larger.

Just then the receptionist walks up. “Uh, Ms. Buckland…” “Anna! How many times do I have to tell you not to interrupt me when I am busy?” “Oh, Ms. Buckland, I’m so sorry, but you also said that if your next appointment comes…OH,NO!”

She has accidentally knocked the plank holding one of the cans of paint so the can spills, right over Prue’s head. Prue flinches, putting her hands up and inadvertently using her power to make the paint go safely around her head, just missing her before splashing onto the floor, some of it splattering on Claire’s shoes. Claire is mortified as she kicks off the ruined shoes while the receptionist is in a pure panic. “Oh, Ms. Buckland! I’m so sorry! I’m such a klutz!” “Anna, you better figure out a way to get those shoes perfectly clean or you are out of a job!” “Yes, Ms. Buckland, I mean, no, Ms. Buckland; I mean I’ll do my best.” She drops to her knees, picks up the shoes, then jumps up and hurries away. “As you can see, Ms. Halliwell, I am very particular regarding my employees. But if you still want the job, it is yours and you may start Monday.” “Thank you, Ms. Buckland. Yes, I still want that job. It sounds like a dream job to me.” “Then you may call me Claire and I shall call you Prue.” Prue smiles. “Now thanks to my receptionist, I will have to go to my next appointment without my shoes. But I will shortly acquire a large collection which you may examine as your first project.” Again Prue smiles. “I look forward to it.”

Claire hurries towards her office so she can hide her feet under her desk, while Prue head out. She finds the receptionist sitting at her desk in tears. “Are you sure you’re okay?” Prue asks. “Yeah, I am, if I can figure out how to get these shoes cleaned or at least replaced.” “Well, I took the job and I’m starting Monday.” “Well, then I’ll be your receptionist, too, Ms. Halliwell, so I look forward to working with you.” “Thanks, Anna, but please call me Prue.” “Yes, Ms…I mean Prue. See you on Monday.” “Yes, see you then.” As Prue walks towards the elevator, her cell phone ring. It’s the the photoshop, calling to say her pictures are in. “Wow,” she thinks to herself. “Phoebe was right. This really is my lucky day.”

The Photoshop

A very excited, very happy Prue exits the photoshop having picked up the photos that were developed from the roll she found in Grams’ room. She bumps right into a man, and she drops her envelope on the sidewalk and all of the photos fall out. He apologizes and they both drop to their knees and begin picking up the pictures. Prue pays little attention to the man and doesn’t notice when he takes one of the photos and puts it in his pocket before standing up. As he walks away, he laughs to himself and we recognize that laugh—it’s our mystery man.

[summerreading]

TAG

Halliwell Manor

A still-excited, still-happy Prue walks into the house. She pulls out a photo from the envelope which she places in the frame that she also bought at the photoshop.

Hearing her sisters talking in the living room, she hurries there to find them watching the news while sipping white wine. She shows them what she has in her hand. “Omigod!” screams Phoebe. “It’s us! It’s the last picture Grams ever took of us!” “No,” Piper disagrees. “It can’t be the same picture. You two were fighting like cats and dogs. No way you’d have an arm around both of us, Prue!” “Well, it’s the only picture in the roll that’s close to the one she took. This is it.” Phoebe grins. “Yes, it is. There could never be another picture where we’re together wearing those same clothes. I think it’s magic – it’s showing how much closer we’ve become since we became witches.” Prue smiles. “I think you’re right, Pheebs.” Piper also smiles. “Yeah, me, too. We’ve got to find a special place for it.” “Let’s put it on the table in the foyer next to phone,” Prue suggests. “Then we can see it each time we walk in the door,” and her sisters agree.

As Prue returns to the foyer, the newscaster announces the winning lottery numbers. “I won!” Phoebe screams. “I won!” She hurries over to her purse and takes out the ticket as Prue returns. “I won, Prue! We will never have to worry about having the money needed for Manor repairs again!” Even a she speaks, the numbers disappear.

“Oh, no,” Phoebe moans. Prue just smiles. “I warned you, Pheebs. We can’t intentionally use our powers for our own personal gain.” Phoebe sighs. “I guess it’s a good thing that I didn’t take the tags off that Armani dress. But does this mean that old couple will still lose their house?” Prue smiles. “Somehow I don’t think so.”

Piper pours a glass of wine and hands it to Prue, then raises her own glass. “A toast to the Power of Three, whether we like it or not,” and as they clink glasses, they all laugh.

END OF EPISODE

[Granny Charmed]

Apr 18, 2019 23:35:53 GMT -5 summerreading said:

SUMMER: Hi everyone, I have finally finished my third episode in my C:RI series, and am going to post it here for you all.

I'm determined to finish C:RI - at least the first chapter - that the decision to do a second season will depend upon our post-S2-re-watch discussions - but due to the problems I am am having with being consistent, I've decided that I am not going to publicly post more until you finish the first half.
 

Feel free to review and comment on the story at your own pace. And I'd appreciate any comments posted at FF.net where I also have my series. (https://www.fanfiction.net/s/13202653/9/Charmed-ReImagined)

GC: So excited dear. You have a new story.

GDC: Me too.

DC: We're going to read the teaser, but with Easter, we'll be busy. But had to read the first part.

---

CHARMED RE-IMAGINED
(Based on Charmed, Created by Constance M. Burge)

Season 1, Episode 3: "I’ve Got You Under My Skin”
Written by Summer Reading
Based on Charmed Episode 1x02: “I’ve Got You Under My Skin” written by Brad Kern

Author’s Note: Please note that since I’ve started the pattern of using the title of the show/book that my episode is based on, I’m going to continue that pattern, even if this episode doesn’t fit the title. If I wasn’t doing it that way, I’d call it “My Lucky Day”…

---

TEASER

Halliwell Manor – Near sunset, six days after the previous episode

Phoebe [Alyssa Milano] is talking on the phone with Piper [Holly Marie Combs] who is still at Quake. She rolls her eyes as Piper goes on and on about Chef Moore being a phony who just hired her so he could quit and open his own new place, and now she’s stuck as acting manager, a job she hates. “Any of the customers complaining?” “Phoebe! I’m not a restaurateur; I’m a chef and I have absolutely no idea what I’m doing. Please, Pheebs, find Prue and both of you get over here so I can vent at you and not at the other employees so they don’t all quit and the owner fires me! You do and you can have dinner here on me, especially since Jeremy is still out of town working on that story and probably will be for another week. If I can’t rant at my boyfriend, at least let me rant at my sisters.” “Sorry, Piper, but Prue is still busy trying to look for work since her last boss turned out to be a warlock. That was only a week ago,” Phoebe reminds her. “How do you get over having been involved with a warlock? That’s probably why she won’t answer Andy’s call. Look, I’ll get there as soon as I can.”

Even as Phoebe hangs up the phone, Prue [Shannen Doherty] walks in. “Hey! Great timing! That was Piper on the phone. With Jeremy gone, she needs her sisters. She wants us at Quake as soon as possible.” “Okay, if we can stop at the photoshop.” “You still haven’t dropped off that film you found in Grams’ room?” “No, been too busy, but it’s on the way to Quake. And while I'm at it, I'll drop off my roll from Gram's funeral.” “Speaking of being busy, any luck?” “No, I’m still jobless. But I saw in the want ads that Buckland’s Auction House is looking for a specialist.” “Oooo, that sounds right down your alley!” “Yeah, I think so, too. I called and got an appointment with the owner for tomorrow afternoon.” “Hey! That’s not that far away from Quake either. That could be perfect.”

A Photoshop in Downtown San Francisco

Prue and Phoebe are exiting the photoshop when Prue realizes she left her purse and hurries back in. While waiting for her, Phoebe spots a newsstand and decides to get some gum and a magazine. She notices an elderly couple looking at an ad for lottery tickets. "Look, dear," says the old woman. "The prize is a million dollars." "Yes,” replies the old man. “Let's try and use our grandchildren's birthday. We win, we might not lose our home." Phoebe's tender heart aches at the thought of them losing their home as she picks up a pack of gum. A premonition hits her – a newscaster announcing the winning numbers. She smiles, loving her power when it helps her help others. “I think today might be your lucky day if rather than your grandkids' birthday, you try 4, 16, 19, 30, 32 and 40.” “Oh, yes, dear,” the little old lady says. “Let’s try.” The old man nods, but adds, “Let’s try both. We’d never forgive ourselves if the winner is our grandchildren’s birthday and we didn’t use them.” He turns towards Phoebe. “What were those numbers again?” After reminding them of the numbers, Phoebe picks up a magazine, flipping through it. Then smirking, thinking about the dress she saw in a shop window and all of the repairs the Manor needs, she gives the same numbers to the clerk before paying for it along with the gum and the magazine. Then she hurries back to the photoshop just as Prue comes out with her purse. “Okay, Pheebs, what are you smirking about?” “Oh, I don’t know, Prue. I just got a funny feeling that tomorrow might be my lucky day.”

Quake – Later that night

Quake looks much busier now, and Prue and Phoebe are just finishing their dinner as an annoyed Piper marches off to tell off a waiter who she thinks isn’t moving fast enough. Prue and Phoebe are about to leave when they spot a pretty young woman (Cynthia King) sitting down at the next table. “Brittany!” Phoebe exclaims. “It’s so good to see you!” “Come join us,” Prue invites, and smiling, Brittany Reynolds leaves her table to sit with them. “I can only stay for a minute or two,” Brittany tells them, “but I had to show you.” She shows off the angel tattoo on her wrist. “Ooo,” Phoebe squeals. “I love it!” Brittany smiles. “It’s in honor of my mother.” “Oh, Brit!” Prue smiles. “I’ll bet she’d really like that you did that.” Britney smiles. “And I can finally afford one – my career is about to take off.” She glances at her watch. “Oh, no! It’s later than I thought it was, so I’m afraid I really gotta get going, but it was great seeing you guys again. Take care.” “You, too, Brittany. Give our best to Matt.” “Will do. Tell Piper the food was even better than before.” “Definitely!” As Brittany walks away, Prue sighs. “When and if my career ever takes off, you, me and Piper are going to get angel tattoos in honor of Grams,” and Phoebe smiles.

Quake – Parking lot

Brittany is just getting into her car. She puts on her seat belt and then reaches up to adjust her rearview mirror when her eyes grow large as she screams in terror. The screen goes black and the opening credits of "Charmed Re-Imagined" roll.

GC: Very interesting teaser dear. I love that you made these changes, so Prue and Phoebe have a story and you removed Phoebe and Prue's plots in the teaser with Andy after having sex and leaving and Phoebe and Alec. I know we have the re-re-watch for IGYUMS coming in a few weeks, so I'll be sure to remember your story, assuming we finish it before them. 

GDC: Totally love Phoebe's story in this one used right away. Also love the sisterly moments with Prue and Phoebe. Much better teaser Summer.

DC: I like the sisterly moments at Quake, and Piper so needs her sisters with Jeremy out of time. Great teaser, it was more exciting than the real episode. 

[summerreading]

Apr 19, 2019 21:21:00 GMT -5 Granny Charmed said:

Apr 18, 2019 23:35:53 GMT -5 summerreading said:

SUMMER: Hi everyone, I have finally finished my third episode in my C:RI series, and am going to post it here for you all.

I'm determined to finish C:RI - at least the first chapter - that the decision to do a second season will depend upon our post-S2-re-watch discussions - but due to the problems I am am having with being consistent, I've decided that I am not going to publicly post more until you finish the first half.
 

Feel free to review and comment on the story at your own pace. And I'd appreciate any comments posted at FF.net where I also have my series. (https://www.fanfiction.net/s/13202653/9/Charmed-ReImagined)

GC: So excited dear. You have a new story.

GDC: Me too.

DC: We're going to read the teaser, but with Easter, we'll be busy. But had to read the first part.

SUMMER: So glad you had a chance to read the teaser, even though you all might be busy this weekend. Look forward to seeing what you think.

---

CHARMED RE-IMAGINED
(Based on Charmed, Created by Constance M. Burge)

Season 1, Episode 3: "I’ve Got You Under My Skin”
Written by Summer Reading
Based on Charmed Episode 1x02: “I’ve Got You Under My Skin” written by Brad Kern

Author’s Note: Please note that since I’ve started the pattern of using the title of the show/book that my episode is based on, I’m going to continue that pattern, even if this episode doesn’t fit the title. If I wasn’t doing it that way, I’d call it “My Lucky Day”…

---

TEASER

Halliwell Manor – Near sunset, six days after the previous episode

Phoebe [Alyssa Milano] is talking on the phone with Piper [Holly Marie Combs] who is still at Quake. She rolls her eyes as Piper goes on and on about Chef Moore being a phony who just hired her so he could quit and open his own new place, and now she’s stuck as acting manager, a job she hates. “Any of the customers complaining?” “Phoebe! I’m not a restaurateur; I’m a chef and I have absolutely no idea what I’m doing. Please, Pheebs, find Prue and both of you get over here so I can vent at you and not at the other employees so they don’t all quit and the owner fires me! You do and you can have dinner here on me, especially since Jeremy is still out of town working on that story and probably will be for another week. If I can’t rant at my boyfriend, at least let me rant at my sisters.” “Sorry, Piper, but Prue is still busy trying to look for work since her last boss turned out to be a warlock. That was only a week ago,” Phoebe reminds her. “How do you get over having been involved with a warlock? That’s probably why she won’t answer Andy’s call. Look, I’ll get there as soon as I can.”

Even as Phoebe hangs up the phone, Prue [Shannen Doherty] walks in. “Hey! Great timing! That was Piper on the phone. With Jeremy gone, she needs her sisters. She wants us at Quake as soon as possible.” “Okay, if we can stop at the photoshop.” “You still haven’t dropped off that film you found in Grams’ room?” “No, been too busy, but it’s on the way to Quake. And while I'm at it, I'll drop off my roll from Gram's funeral.” “Speaking of being busy, any luck?” “No, I’m still jobless. But I saw in the want ads that Buckland’s Auction House is looking for a specialist.” “Oooo, that sounds right down your alley!” “Yeah, I think so, too. I called and got an appointment with the owner for tomorrow afternoon.” “Hey! That’s not that far away from Quake either. That could be perfect.”

A Photoshop in Downtown San Francisco

Prue and Phoebe are exiting the photoshop when Prue realizes she left her purse and hurries back in. While waiting for her, Phoebe spots a newsstand and decides to get some gum and a magazine. She notices an elderly couple looking at an ad for lottery tickets. "Look, dear," says the old woman. "The prize is a million dollars." "Yes,” replies the old man. “Let's try and use our grandchildren's birthday. We win, we might not lose our home." Phoebe's tender heart aches at the thought of them losing their home as she picks up a pack of gum. A premonition hits her – a newscaster announcing the winning numbers. She smiles, loving her power when it helps her help others. “I think today might be your lucky day if rather than your grandkids' birthday, you try 4, 16, 19, 30, 32 and 40.” “Oh, yes, dear,” the little old lady says. “Let’s try.” The old man nods, but adds, “Let’s try both. We’d never forgive ourselves if the winner is our grandchildren’s birthday and we didn’t use them.” He turns towards Phoebe. “What were those numbers again?” After reminding them of the numbers, Phoebe picks up a magazine, flipping through it. Then smirking, thinking about the dress she saw in a shop window and all of the repairs the Manor needs, she gives the same numbers to the clerk before paying for it along with the gum and the magazine. Then she hurries back to the photoshop just as Prue comes out with her purse. “Okay, Pheebs, what are you smirking about?” “Oh, I don’t know, Prue. I just got a funny feeling that tomorrow might be my lucky day.”

Quake – Later that night

Quake looks much busier now, and Prue and Phoebe are just finishing their dinner as an annoyed Piper marches off to tell off a waiter who she thinks isn’t moving fast enough. Prue and Phoebe are about to leave when they spot a pretty young woman (Cynthia King) sitting down at the next table. “Brittany!” Phoebe exclaims. “It’s so good to see you!” “Come join us,” Prue invites, and smiling, Brittany Reynolds leaves her table to sit with them. “I can only stay for a minute or two,” Brittany tells them, “but I had to show you.” She shows off the angel tattoo on her wrist. “Ooo,” Phoebe squeals. “I love it!” Brittany smiles. “It’s in honor of my mother.” “Oh, Brit!” Prue smiles. “I’ll bet she’d really like that you did that.” Britney smiles. “And I can finally afford one – my career is about to take off.” She glances at her watch. “Oh, no! It’s later than I thought it was, so I’m afraid I really gotta get going, but it was great seeing you guys again. Take care.” “You, too, Brittany. Give our best to Matt.” “Will do. Tell Piper the food was even better than before.” “Definitely!” As Brittany walks away, Prue sighs. “When and if my career ever takes off, you, me and Piper are going to get angel tattoos in honor of Grams,” and Phoebe smiles.

Quake – Parking lot

Brittany is just getting into her car. She puts on her seat belt and then reaches up to adjust her rearview mirror when her eyes grow large as she screams in terror. The screen goes black and the opening credits of "Charmed Re-Imagined" roll.

GC: Very interesting teaser dear. I love that you made these changes, so Prue and Phoebe have a story and you removed Phoebe and Prue's plots in the teaser with Andy after having sex and leaving and Phoebe and Alec. I know we have the re-re-watch for IGYUMS coming in a few weeks, so I'll be sure to remember your story, assuming we finish it before them. 

GDC: Totally love Phoebe's story in this one used right away. Also love the sisterly moments with Prue and Phoebe. Much better teaser Summer.

DC: I like the sisterly moments at Quake, and Piper so needs her sisters with Jeremy out of time. Great teaser, it was more exciting than the real episode. 


SUMMER: I'm glad you loved it. Yes, part of my aim was to remove the parts of the episode I hated from the episode, which we'll be re-re-watching in a few weeks. I can't wait to see what you three think of the rest.

[prudencehalliwell]

PRUDENCE: I already read Teaser, Act One and Act Two at FF.net. Since I don't have an account, but can post reviews, I'm going to re-post them here, if you'd like to comment on them Summer.

I hope to read the rest when I have time.

Apr 18, 2019 23:35:53 GMT -5 summerreading said:

SUMMER: Hi everyone, I have finally finished my third episode in my C:RI series, and am going to post it here for you all.

I'm determined to finish C:RI - at least the first chapter - that the decision to do a second season will depend upon our post-S2-re-watch discussions - but due to the problems I am am having with being consistent, I've decided that I am not going to publicly post more until you finish the first half.
 

Feel free to review and comment on the story at your own pace. And I'd appreciate any comments posted at FF.net where I also have my series. (https://www.fanfiction.net/s/13202653/9/Charmed-ReImagined)

---

CHARMED RE-IMAGINED
(Based on Charmed, Created by Constance M. Burge)

Season 1, Episode 3: "I’ve Got You Under My Skin”
Written by Summer Reading
Based on Charmed Episode 1x02: “I’ve Got You Under My Skin” written by Brad Kern

Author’s Note: Please note that since I’ve started the pattern of using the title of the show/book that my episode is based on, I’m going to continue that pattern, even if this episode doesn’t fit the title. If I wasn’t doing it that way, I’d call it “My Lucky Day”…

---

TEASER

Halliwell Manor – Near sunset, six days after the previous episode

Phoebe [Alyssa Milano] is talking on the phone with Piper [Holly Marie Combs] who is still at Quake. She rolls her eyes as Piper goes on and on about Chef Moore being a phony who just hired her so he could quit and open his own new place, and now she’s stuck as acting manager, a job she hates. “Any of the customers complaining?” “Phoebe! I’m not a restaurateur; I’m a chef and I have absolutely no idea what I’m doing. Please, Pheebs, find Prue and both of you get over here so I can vent at you and not at the other employees so they don’t all quit and the owner fires me! You do and you can have dinner here on me, especially since Jeremy is still out of town working on that story and probably will be for another week. If I can’t rant at my boyfriend, at least let me rant at my sisters.” “Sorry, Piper, but Prue is still busy trying to look for work since her last boss turned out to be a warlock. That was only a week ago,” Phoebe reminds her. “How do you get over having been involved with a warlock? That’s probably why she won’t answer Andy’s call. Look, I’ll get there as soon as I can.”

Even as Phoebe hangs up the phone, Prue [Shannen Doherty] walks in. “Hey! Great timing! That was Piper on the phone. With Jeremy gone, she needs her sisters. She wants us at Quake as soon as possible.” “Okay, if we can stop at the photoshop.” “You still haven’t dropped off that film you found in Grams’ room?” “No, been too busy, but it’s on the way to Quake. And while I'm at it, I'll drop off my roll from Gram's funeral.” “Speaking of being busy, any luck?” “No, I’m still jobless. But I saw in the want ads that Buckland’s Auction House is looking for a specialist.” “Oooo, that sounds right down your alley!” “Yeah, I think so, too. I called and got an appointment with the owner for tomorrow afternoon.” “Hey! That’s not that far away from Quake either. That could be perfect.”

A Photoshop in Downtown San Francisco

Prue and Phoebe are exiting the photoshop when Prue realizes she left her purse and hurries back in. While waiting for her, Phoebe spots a newsstand and decides to get some gum and a magazine. She notices an elderly couple looking at an ad for lottery tickets. "Look, dear," says the old woman. "The prize is a million dollars." "Yes,” replies the old man. “Let's try and use our grandchildren's birthday. We win, we might not lose our home." Phoebe's tender heart aches at the thought of them losing their home as she picks up a pack of gum. A premonition hits her – a newscaster announcing the winning numbers. She smiles, loving her power when it helps her help others. “I think today might be your lucky day if rather than your grandkids' birthday, you try 4, 16, 19, 30, 32 and 40.” “Oh, yes, dear,” the little old lady says. “Let’s try.” The old man nods, but adds, “Let’s try both. We’d never forgive ourselves if the winner is our grandchildren’s birthday and we didn’t use them.” He turns towards Phoebe. “What were those numbers again?” After reminding them of the numbers, Phoebe picks up a magazine, flipping through it. Then smirking, thinking about the dress she saw in a shop window and all of the repairs the Manor needs, she gives the same numbers to the clerk before paying for it along with the gum and the magazine. Then she hurries back to the photoshop just as Prue comes out with her purse. “Okay, Pheebs, what are you smirking about?” “Oh, I don’t know, Prue. I just got a funny feeling that tomorrow might be my lucky day.”

Quake – Later that night

Quake looks much busier now, and Prue and Phoebe are just finishing their dinner as an annoyed Piper marches off to tell off a waiter who she thinks isn’t moving fast enough. Prue and Phoebe are about to leave when they spot a pretty young woman (Cynthia King) sitting down at the next table. “Brittany!” Phoebe exclaims. “It’s so good to see you!” “Come join us,” Prue invites, and smiling, Brittany Reynolds leaves her table to sit with them. “I can only stay for a minute or two,” Brittany tells them, “but I had to show you.” She shows off the angel tattoo on her wrist. “Ooo,” Phoebe squeals. “I love it!” Brittany smiles. “It’s in honor of my mother.” “Oh, Brit!” Prue smiles. “I’ll bet she’d really like that you did that.” Britney smiles. “And I can finally afford one – my career is about to take off.” She glances at her watch. “Oh, no! It’s later than I thought it was, so I’m afraid I really gotta get going, but it was great seeing you guys again. Take care.” “You, too, Brittany. Give our best to Matt.” “Will do. Tell Piper the food was even better than before.” “Definitely!” As Brittany walks away, Prue sighs. “When and if my career ever takes off, you, me and Piper are going to get angel tattoos in honor of Grams,” and Phoebe smiles.

Quake – Parking lot

Brittany is just getting into her car. She puts on her seat belt and then reaches up to adjust her rearview mirror when her eyes grow large as she screams in terror. The screen goes black and the opening credits of "Charmed Re-Imagined" roll.

That is so Piper to want to rant to her sisters, if she can't to her boyfriend.

I LOVE that Prue isn't returning Andy's call because she is still getting over Roger being a warlock. I'm so glad you got rid of that plot point (typical Kern) to have Prue sleep with Andy right away.

I very much like that Brittany did it in honor of her mother.

So far a great teaser and miles better than Kern's episode. Can't wait for more.

Apr 18, 2019 23:36:05 GMT -5 summerreading said:

ACT ONE

Halliwell Manor – The next morning

After seeing stock footage of the sun rising over San Francisco as a song plays and the guest credits roll, we cut back to Halliwell Manor. Prue’s convertible and Piper’s SUV are parked in the front.

Piper is feeding the cat, but her attention is focused on the small television set sitting on the counter, which is showing an A&E-like documentary on Salem and witches. She watches as Mary Estes, one of those accused of practicing witchcraft, runs for the church and as she tries to enter the church, she’s struck by a bolt of lightning.

Even as Piper screams, Prue runs in. “Piper! What’s wrong?” Then she sees what’s on the set and rolls her eyes. “Piper! You’re not afraid that we will be found guilty of witchcraft and hung like Melinda Warren, are you?” Piper laughs nervously as she reaches up to turn off the set, quickly changing the subject. “Andy called while you were in the shower.” Prue nibbles on her fingernails, a sure sign she’s nervous. “What did you tell him?” Piper rolls her eyes. “What else would I tell him? I told him you’re in the shower. Prue, why won’t you call Andy and agree to go out with him? It’s been a week since we vanquished Roger.” “But Andy just got back from Washington after divorcing Susan. What if it goes badly?” Again Piper rolls her eyes. “We’ve known Andy since we were kids, Prue, what don’t we know? Besides, Andy isn’t a warlock - that was your horrible pig of an ex Roger.” Prue sighs. “I know, but right now all of my attention has to be on finding a job. Who wants to date someone who is unemployed?”

They go into the dining room, where they spot Phoebe. “Pheebs!” laughs Piper. “You look like you just woke up.” “That’s because I did. Prue, did I hear you tell Piper that you’re still not returning poor Andy’s call?” “Well, if you heard that, you also heard what I told her.” It’s Phoebe’s turn to roll her eyes at Prue. “You know that won’t bother Andy at all. C’mon, Prue, just go for it. You had a good time catching up with him at Quake a week ago, didn’t you?” “Well, yeah,” Prue has to admit. “So why are you holding back? You left Roger months ago and he is now vanquished forever. What is really holding you back?” “What about you, little Miss-Sleep-Until-8:00 - what time did you get home last night?” “Don’t change the subject, Prue!” and Phoebe pushes Prue to the phone. Phoebe picks up the receiver and hands it to her sister before dialing Andy’s number at the station.

But Andy doesn’t answer; Darryl (Dorian Gregory) does. Prue says she’s looking for Andy and Darryl says he’ll pass on the message. Even as Prue passes this response to Phoebe, the phone rings. Prue hesitates, so Phoebe sighs impatiently and grabs the receiver. “Andy! It’s so good to hear from you! Prue? Why, yes, she’s right here.” She hands the receiver to Prue. “Hey, Prue! It’s Andy, returning your call. I just know you want to talk to him.” Prue glares at her, but says hi to Andy while Piper and Phoebe snicker and giggle. Prue glares at them, “Would you two quiet down? Now what were you saying, Andy?” “I had such a nice time talking with you at Quake that I'd like to take you out to a nice lunch on me at Maxim’s. You remember Maxim’s, Prue. It’s where we went after our senior prom.” "But that was a real date. You can’t go casual like we could at Quake.” "Yes, I’d like to go on a real date with you, Prue, even if it’s only for lunch. Is that something you’d be interested in?" Prue considers, then takes a deep breath and lets it out. “Yes, Andy, I think it is.” “Great! I’ll pick up at 2.” “No, that won’t work. I have a job interview at 4.” “Okay, then I’ll pick you up at 11.” “Perfect,” and Phoebe and Piper high-five while Prue hopes she’s not making a mistake.

San Francisco Police Station

Andy hangs up the phone to see Darryl bring a young man (Ben Caswell) into the station. “This is Matt Reynolds,” Darryl tells Andy. “His wife is missing.” Matt shows Andy a picture of Brittany. “It’s just not like Brittany to not call if she’s not coming home at night. She called me after leaving Quake at 7:00 last night and said she was on her way home, but she never made it.” “Well, it hasn’t been 24 hours yet and we really can’t count her as a missing person until then. Chances are she’ll show up long before that.” “Well, we did have a small argument just before she left.” “And she called you to tell her she was on her way. She’s probably staying at a friend’s – probably wanted to vent about the argument. She might even be there when you get home. It’s only 8:00.” “Yeah, maybe. Thanks for your help. If she’s still missing after 24 hours, I’ll be back,” and Matt leaves. Darryl sighs. “I would’ve just taken care of it myself, but that’s the fourth pretty young woman who has disappeared this week. So, did Prue agree to see you?” “Yeah, she did. We’re having lunch at Maxim’s at 11.” “Well, you better tell her to be sure to lock her door at night.”

Outside a Catholic church – Later that morning

Piper is sitting in her SUV, and someone knocks on the window. Seeing Father Williams (Marc Shelton), Piper screams. “Oh, Piper, I didn’t mean to scare you. But isn’t it a little early dropping off the unused food from Quake? Don’t you usually come in later after the lunch rush?” “Yeah, and I will, both then and after the supper rush.” “So, why are you here now?” “Oh, I don’t know, Father. I was just thinking about Mary Esty.” “Yes, I saw that documentary this morning. But why would you still be thinking about her?” “Well, I’m not Catholic, but I wondered if it’s true.” “What’s true?” “The bit about evil beings unable to go into a church. Evil beings like her…like witches.” Father Williams smiles. “Well, I sure wouldn’t want to risk it, just in case it’s true. But then I’ve never met a witch, so I really don’t know. See you later, Piper,” and he walks off. She laughs nervously. “Yeah, right, you haven’t.” Taking a deep breath, she gets out of the SUV and slowly walks over to the church door. But just as she grabs the handle, there’s a loud crack of thunder, and she runs off screaming.

The Photoshop

Prue is at the counter. “You don’t understand. I asked for a rush to be put on them.” The clerk (Todd Fedman) glances at her order number, checks his computer. “Sorry, they’re still not ready and won’t be for a couple days. At least your other roll is here and the gal doing the processing said they are really nice. She said there’s a couple of them that are truly lovely. So, are you a professional photographer?” “No, although when I was young, I always wanted to be a photographer.” “Well, may I see the pictures?” “Sure,” and Prue shows him the pictures and he admires them. The young woman (TBC) standing behind her also looks at them.

As Prue turns to leave, her phone rings. “Hello.” “Prue, it’s Andy. I’m so sorry, but I’m going to have to reschedule our date. I hope you don’t mind.” “No, Andy. I understand. Why don’t you call me after you get the reservation?” “Okay, I can do that. See ya, Prue.” “See ya” and she ends the call. The young woman quickly pays for her own photos and when Prue turns to leave, she grabs Prue’s arm. “Excuse me, but I couldn’t help but overhear that you always wanted to be a photographer. And when I saw your pictures, well, let me tell you, I know talent when I see it and you definitely have talent.” Prue smiles and thanks her. “My company – The Emily Talent Agency – well, you are perfect for it. You see, my agency helps young people with talent find their dreams and inspires them to be their best.” “Wow,” Prue exclaims. “I’m in the process of looking for work. But I have a job interview this afternoon.” Emily still hands Prue her card, “What did you say your name is?” “Prue. Prue Halliwell.” “Well, Prue, if that’s not an interview at a photo studio and you want to follow your dreams, give me a call.” Prue takes the card.

Quake

Phoebe is helping Piper out. She hands a menu to a guy (Michael Phillip). There is a woman (Tamara Krinksy) sitting next to him. “I’m sorry,” Phoebe apologizes, “but I can’t help myself. Are you Stefan?” He smiles. “Yes, I am. Have we met?” Phoebe smiles back, “I’m familiar with your work…like everyone else in the world.” His smile grows bigger. “I’ll take that as a compliment from a gorgeous woman.” “I’m sure your girlfriend must appreciate that,” she whispers. He laughs and whispers back, “She’s not my girlfriend.” The woman rolls her eyes. “I get the hint. It was nice to meet you, Stefan, but…” “Oh!” cries Phoebe. “Don’t let me shoo you away.” “Definitely not,” Stefan agrees. “Because if you’re really a model and interested in doing a photo shoot, I’d love to use you.” He takes out his card and hands it to her. She takes it, glances at it, smiles and leaves.

Piper walks up, “Phoebe, one of the drivers just called in sick. Would you like to make a quick delivery?” “Sure. Hey, tell me, is that tall, dark and handsome guy still looking at me?” Piper rolls her eyes. “Phoebe, there’s a lot of guys at the bar looking at you. There’s always a lot of guys sitting at the bar looking at you.” “He’s the one sitting at the end of the bar,” but when she turns to point him out, Stefan is gone.

Stefan’s Photography Studio - Later

Stefan has just finished a shoot with the woman. He becomes violent with her, freaking her out. She screams, “I’m never going to show up here again!” and makes a run for it. He shrugs, then goes into the back room where we see a figure comes up from behind and knock Stefan out. The figure steps out from the shadows and we see it’s Emily. Her phone rings and it’s Prue. “I’ve decided to meet you after all.” Emily smiles. “Wonderful. Why not come to my studio in an hour?” “Sure, especially since my lunch date cancelled on me. That should give me enough time to go home and put together a collection of my photos.” “That’s perfect, Prue.” As she hangs up her phone, Emily smiles at Stefan, still lying on the floor. Suddenly an essence comes out of him and goes into her as her own eyes glow brightly yellow while Stefan’s eyes go blank – he’s dead.

Love the twist with Stefan. And you have given us a brand new villain and a female. Interesting.

So love seeing Prue's photography being used, and that we get hints of it here. Also Andy canceled on Prue, I hope they can work it out.

Apr 18, 2019 23:36:20 GMT -5 summerreading said:

ACT TWO

The Emily Talent Agency

Prue walks into Emily’s office, excited. Emily smiles. “Hello, Prue. Have a seat.” Prue sits as she hands her an envelope and Emily opens it and pulls out the photos, looks through them. “Oh, Prue! These are even more wonderful than I thought they’d be. I’m going to make some calls and make sure everyone can see them. You’re going to become a very famous photographer.” “Well, that’s always been my dream, but this really does feel too good to be true.” Emily just smiles and begins naming various San Francisco artists, including photographers like Stefan, whom she says she helped, and she shows Prue pictures of her with these artists. “They all had dreams, Prue. Just like you. And I helped them find those dreams.”

As Prue considers this, the phone rings. Emily listens and then smiles. “Great. Let’s get together soon. I’ll keep you posted.”

Outside the Catholic church—After the lunch rush

Piper and Phoebe get out of the Quake van. “I wonder how Prue and Andy’s date went and if this will lead to them having sex.” Piper shrugs. “After a lunch date at Maxim? No, I think it will take more than that. After all, according to Prue, they never did it when they were in high school. Just think. Her first time was with a warlock.” Both sisters go “EWWWW!” “Well, didn’t you and Jeremy have sex after your first date?” “I did not! Not until the third or fourth. Something like that.” “Hey, now that Andy and Prue are back together, do you think they’ll get married?” “Well, you know how Grams always hoped they would be more than just friends and was so disappointed when he married Susan instead. But now that they’re divorced...” “And now that Prue knows she’s a witch…” “Yeah, I’m not sure if that’s a good thing or not. Just like I don’t know what Jeremy will think when he finds out.” “So, you haven’t told him yet?” “I’m not sure how. And just when I had some ideas, he got called away on that story. But I will, just as soon as I can.”

While they’ve been talking, they’ve been taking trays of extra food from Quake out of the van. Now Father Williams comes up to them. He greets Phoebe with a hug. “So, you decided to say goodbye to the Big Apple, huh, Phoebe?” “Yeah, I ate the worm,” Phoebe jokes. He becomes serious. “I’m still very sorry about Grams’ passing. She was a lovely lady.” Phoebe smiles. “Thank you.” She turns to Piper. “I’m going to try to get a hold of Prue so we can find out how that date went. I can’t wait until tonight to hear all the deets.” Piper smiles. “Sure.”

Piper waits until Phoebe is out of hearing range, talking about other things with Father Williams. Then she takes a large breath and lets it out. “Father, here’s the deal. I’ve got this friend. Has a little problem. Could be bad. Could be very bad. Not quite sure what to tell her.” “Do you want to go inside?” Piper jumps back in fear. “No! I mean I’ve gotta get back to Quake soon.” “So, what’s the problem, Piper? I know you and your family aren’t part of my flock, but I’ll do my best to help.” “Well, you see, there’s this friend of mine, she kinda, sorta thinks that she might be a witch.” He frowns. “Witches again, huh?” His tone frightens Piper. “Not a good thing, is it?” “No. Not according to the Bible. Exodus 22:18: Thou shalt not suffer a witch to live.” Piper stares at him in shock. “Meaning…?” “Well, if you go by old school, it means put her to death. She’s evil, someone who gave her soul to the Devil and has become his bride.”

Even as Piper stares at him in shock, Phoebe returns. “Andy had to cancel. Piper! Are you okay?” “Yeah, I’m fine. I’m just still not sure what to tell Brittany.” “Brittany?” “Yeah, I told Father about her problem.” “Oh, right. Brittany.” She smiles at Father Williams, showing all of her teeth. Piper rolls her eyes at her. “We better bring these around to the kitchen so we can get back to Quake.” “Piper, be sure to tell your friend that she should renounce Satan right now.” “Yes, we will.”

Outside Quake - Later

Andy and Darryl are sitting in their squad car talking about the case, frustrated that they haven’t found any clues about what has happened to these women. “So why did you cancel on Prue?” Darryl asks, changing the topic. “Don’t tell me it was because of the case because you know it wasn’t. C’mon, Trudeau! You’ve told me that you and Prue grew up together, were high school sweethearts. She sounds like a perfectly safe date for your first one since the divorce. So, why are you so nervous? Just go for it!”

Even as Andy considers this, he sees Prue get out of her car and walk towards Quake. Darryl grins. “I think I’ll just head across the street and grab the ATM tapes and see if I see anything. It’ll probably just take five minutes. Go on, Trudeau. You need to talk to her. Just let her know how you feel.”

Quake - Kitchen

Piper’s busy cooking when Prue walks in. “My day sure has been full of ups and downs. First Andy invites me on a real date, then he cancels, but then I might have the best offer ever. Someone saw my photos from Grams’ funeral and she thinks I really have talent. She wants to help me become a professional photographer!” “But don’t you have that interview later this afternoon?” “Yeah, with Buckland’s. If this doesn’t work out, Buckland’s can be my backup.”

Phoebe walks in, smiling, wearing a new dress, still excited about her lottery ticket. She’s surprised to see Prue. “I tried calling you and your line was busy. So how did the date go?” Prue sighs. “It didn’t. Andy cancelled. But that’s okay, because maybe something wonderful is about to happen,” and she tells Phoebe about Emily and her agency. Phoebe is excited for her, but still disappointed about Andy. “Why would Andy do that?” Prue shrugs. “I’m going to guess that a case came up. Or maybe he’s just not as interested as he claims.”

“Hey, Pheebs,” Piper asks, changing the topic. “Is that a new dress?” Phoebe twirls, showing it off. “Yeah. It’s Armani; just got it. Do you like it?” “It’s lovely,” Prue replies. “But just how do you plan on paying for it, Miss Still-Broke?” Phoebe grins. “Not for long. I bought a lottery ticket.” “Phoebe!” Piper exclaims. “Do you know what the odds are in winning something like that?” Phoebe smirks. “Not when you get a premonition showing the winning numbers.” “Phoebe Halliwell!” Now it’s Prue’s turn to protest. “What did you want me to do?” Phoebe demands. “Ignore the premonition? Not help a needy family. That's what we're supposed to do, right?” “Yes, we are,” Prue agrees, before insisting, “but we are not supposed to use our powers for our own personal gain. That's what you said it says in the Book of Shadows.” “Not so loud!” Piper frets. Phoebe doesn’t listen to her but keeps glaring at Prue. “You said we needed money for repairs, right? We'll I'm getting some.” ”C’mon, you guys,” Piper begs. But Prue isn’t listening to Piper any more than Phoebe is. “Well, get a job like everybody else, like I’m trying to do.”

Just then Andy walked into the kitchen, asking, “Prue?” just as he bumps into a guy holding a pile of plates. “Watch it!” Piper screams, waving her hands and everyone freezes, including the plates which freeze just before they hit the floor. “Oh, no!” Piper screams. “No, no, no, no, no, not again!” Prue glares at Phoebe. “Now look what you've done!” “How is this my fault?” Phoebe protests. Piper is curious about something else. “You guys aren't freezing?” Phoebe shrugs. “I guess it doesn't work on witches. Piper, how long does it last?” As Piper replies, “I don’t know, but not long,” Prue looks out the door. “Uh, it doesn't work out there either.” Piper looks up to Heaven. “Oh, please tell me this isn't happening.” “Calm down, Piper,” Phoebe soothes. “It's okay. It's all gonna be okay.” Prue has still been watching out the door. “Oh, God, Andy's partner just came in and he's headed this way.” “What are we gonna do?” Piper wails. “Stall him until Andy unfreezes,” Phoebe suggests as Prue runs out of the kitchen.

Quake – Dining room

Prue hurries up to Darryl. “Hey, Inspector Morris, right?” Darryl nods. “That's right. And you’re Prue. Is Trudeau back there? “Uh, Andy?” Prue shrugs. “I don't know, is he?”

Quake – Back in the kitchen

Phoebe is fanning Piper with a menu. “Okay, breathe, Piper; just breathe.” Just as Darryl opens the door, everyone unfreezes and the plates fall on the floor and break. “I really think we should talk.” Andy is finishing his sentence, but then he notices that Darryl is there. “Morris? What are you doing here? I thought you said five minutes.” Darryl nods. “Yeah, I gave you ten.” “Guys,” Piper shouts. “You know, we're really busy in here.” Andy nods and then tells Prue, “I’ll call you later. I promise.” Prue nods. “Okay.” Phoebe waves bye and follows them as everyone but Piper leaves. She sighs unhappily as she starts cleaning up the mess. “I hate being a witch.”

So love seeing Prue's photography being used, and that we get hints of it here. Also, Andy canceled on Prue, I hope they can work it out.

So Andy divorced from Susan, and Prue is dealing with Roger. Yes, I can see why both just can't make this work. They need to talk.

Love the chat Phoebe and Piper has outside the church.

And so glad you decided to keep Piper's story from the original, that was the best part of this one, so why get rid of something that works.

[Katie Warren]

Like I've said on other sites and FF.net, Summer you have done a great job with this. I have an account at FF.net, so I've posted my reviews over at that place.

I'm hoping others get a chance to read it because it's really worth reading.