GC: We're going to read a little more tonight, really want to finish this by the re-re-watch of IGYUMS dears.
ACT ONE
Halliwell Manor – The next morningAfter seeing stock footage of the sun rising over San Francisco as a song plays and the guest credits roll, we cut back to Halliwell Manor. Prue’s convertible and Piper’s SUV are parked in the front.
Piper is feeding the cat, but her attention is focused on the small television set sitting on the counter, which is showing an A&E-like documentary on Salem and witches. She watches as Mary Estes, one of those accused of practicing witchcraft, runs for the church and as she tries to enter the church, she’s struck by a bolt of lightning.
Even as Piper screams, Prue runs in. “Piper! What’s wrong?” Then she sees what’s on the set and rolls her eyes. “Piper! You’re not afraid that we will be found guilty of witchcraft and hung like Melinda Warren, are you?” Piper laughs nervously as she reaches up to turn off the set, quickly changing the subject. “Andy called while you were in the shower.” Prue nibbles on her fingernails, a sure sign she’s nervous. “What did you tell him?” Piper rolls her eyes. “What else would I tell him? I told him you’re in the shower. Prue, why won’t you call Andy and agree to go out with him? It’s been a week since we vanquished Roger.” “But Andy just got back from Washington after divorcing Susan. What if it goes badly?” Again Piper rolls her eyes. “We’ve known Andy since we were kids, Prue, what don’t we know? Besides, Andy isn’t a warlock - that was your horrible pig of an ex Roger.” Prue sighs. “I know, but right now all of my attention has to be on finding a job. Who wants to date someone who is unemployed?”
They go into the dining room, where they spot Phoebe. “Pheebs!” laughs Piper. “You look like you just woke up.” “That’s because I did. Prue, did I hear you tell Piper that you’re still not returning poor Andy’s call?” “Well, if you heard that, you also heard what I told her.” It’s Phoebe’s turn to roll her eyes at Prue. “You know that won’t bother Andy at all. C’mon, Prue, just go for it. You had a good time catching up with him at Quake a week ago, didn’t you?” “Well, yeah,” Prue has to admit. “So why are you holding back? You left Roger months ago and he is now vanquished forever. What is really holding you back?” “What about you, little Miss-Sleep-Until-8:00 - what time did you get home last night?” “Don’t change the subject, Prue!” and Phoebe pushes Prue to the phone. Phoebe picks up the receiver and hands it to her sister before dialing Andy’s number at the station.
But Andy doesn’t answer; Darryl (Dorian Gregory) does. Prue says she’s looking for Andy and Darryl says he’ll pass on the message. Even as Prue passes this response to Phoebe, the phone rings. Prue hesitates, so Phoebe sighs impatiently and grabs the receiver. “Andy! It’s so good to hear from you! Prue? Why, yes, she’s right here.” She hands the receiver to Prue. “Hey, Prue! It’s Andy, returning your call. I just know you want to talk to him.” Prue glares at her, but says hi to Andy while Piper and Phoebe snicker and giggle. Prue glares at them, “Would you two quiet down? Now what were you saying, Andy?” “I had such a nice time talking with you at Quake that I'd like to take you out to a nice lunch on me at Maxim’s. You remember Maxim’s, Prue. It’s where we went after our senior prom.” "But that was a real date. You can’t go casual like we could at Quake.” "Yes, I’d like to go on a real date with you, Prue, even if it’s only for lunch. Is that something you’d be interested in?" Prue considers, then takes a deep breath and lets it out. “Yes, Andy, I think it is.” “Great! I’ll pick up at 2.” “No, that won’t work. I have a job interview at 4.” “Okay, then I’ll pick you up at 11.” “Perfect,” and Phoebe and Piper high-five while Prue hopes she’s not making a mistake.
San Francisco Police StationAndy hangs up the phone to see Darryl bring a young man (Ben Caswell) into the station. “This is Matt Reynolds,” Darryl tells Andy. “His wife is missing.” Matt shows Andy a picture of Brittany. “It’s just not like Brittany to not call if she’s not coming home at night. She called me after leaving Quake at 7:00 last night and said she was on her way home, but she never made it.” “Well, it hasn’t been 24 hours yet and we really can’t count her as a missing person until then. Chances are she’ll show up long before that.” “Well, we did have a small argument just before she left.” “And she called you to tell her she was on her way. She’s probably staying at a friend’s – probably wanted to vent about the argument. She might even be there when you get home. It’s only 8:00.” “Yeah, maybe. Thanks for your help. If she’s still missing after 24 hours, I’ll be back,” and Matt leaves. Darryl sighs. “I would’ve just taken care of it myself, but that’s the fourth pretty young woman who has disappeared this week. So, did Prue agree to see you?” “Yeah, she did. We’re having lunch at Maxim’s at 11.” “Well, you better tell her to be sure to lock her door at night.”
Outside a Catholic church – Later that morningPiper is sitting in her SUV, and someone knocks on the window. Seeing Father Williams (Marc Shelton), Piper screams. “Oh, Piper, I didn’t mean to scare you. But isn’t it a little early dropping off the unused food from Quake? Don’t you usually come in later after the lunch rush?” “Yeah, and I will, both then and after the supper rush.” “So, why are you here now?” “Oh, I don’t know, Father. I was just thinking about Mary Esty.” “Yes, I saw that documentary this morning. But why would you still be thinking about her?” “Well, I’m not Catholic, but I wondered if it’s true.” “What’s true?” “The bit about evil beings unable to go into a church. Evil beings like her…like witches.” Father Williams smiles. “Well, I sure wouldn’t want to risk it, just in case it’s true. But then I’ve never met a witch, so I really don’t know. See you later, Piper,” and he walks off. She laughs nervously. “Yeah, right, you haven’t.” Taking a deep breath, she gets out of the SUV and slowly walks over to the church door. But just as she grabs the handle, there’s a loud crack of thunder, and she runs off screaming.
The Photoshop Prue is at the counter. “You don’t understand. I asked for a rush to be put on them.” The clerk (Todd Fedman) glances at her order number, checks his computer. “Sorry, they’re still not ready and won’t be for a couple days. At least your other roll is here and the gal doing the processing said they are really nice. She said there’s a couple of them that are truly lovely. So, are you a professional photographer?” “No, although when I was young, I always wanted to be a photographer.” “Well, may I see the pictures?” “Sure,” and Prue shows him the pictures and he admires them. The young woman (TBC) standing behind her also looks at them.
As Prue turns to leave, her phone rings. “Hello.” “Prue, it’s Andy. I’m so sorry, but I’m going to have to reschedule our date. I hope you don’t mind.” “No, Andy. I understand. Why don’t you call me after you get the reservation?” “Okay, I can do that. See ya, Prue.” “See ya” and she ends the call. The young woman quickly pays for her own photos and when Prue turns to leave, she grabs Prue’s arm. “Excuse me, but I couldn’t help but overhear that you always wanted to be a photographer. And when I saw your pictures, well, let me tell you, I know talent when I see it and you definitely have talent.” Prue smiles and thanks her. “My company – The Emily Talent Agency – well, you are perfect for it. You see, my agency helps young people with talent find their dreams and inspires them to be their best.” “Wow,” Prue exclaims. “I’m in the process of looking for work. But I have a job interview this afternoon.” Emily still hands Prue her card, “What did you say your name is?” “Prue. Prue Halliwell.” “Well, Prue, if that’s not an interview at a photo studio and you want to follow your dreams, give me a call.” Prue takes the card.
QuakePhoebe is helping Piper out. She hands a menu to a guy (Michael Phillip). There is a woman (Tamara Krinksy) sitting next to him. “I’m sorry,” Phoebe apologizes, “but I can’t help myself. Are you Stefan?” He smiles. “Yes, I am. Have we met?” Phoebe smiles back, “I’m familiar with your work…like everyone else in the world.” His smile grows bigger. “I’ll take that as a compliment from a gorgeous woman.” “I’m sure your girlfriend must appreciate that,” she whispers. He laughs and whispers back, “She’s not my girlfriend.” The woman rolls her eyes. “I get the hint. It was nice to meet you, Stefan, but…” “Oh!” cries Phoebe. “Don’t let me shoo you away.” “Definitely not,” Stefan agrees. “Because if you’re really a model and interested in doing a photo shoot, I’d love to use you.” He takes out his card and hands it to her. She takes it, glances at it, smiles and leaves.
Piper walks up, “Phoebe, one of the drivers just called in sick. Would you like to make a quick delivery?” “Sure. Hey, tell me, is that tall, dark and handsome guy still looking at me?” Piper rolls her eyes. “Phoebe, there’s a lot of guys at the bar looking at you. There’s always a lot of guys sitting at the bar looking at you.” “He’s the one sitting at the end of the bar,” but when she turns to point him out, Stefan is gone.
Stefan’s Photography Studio - Later Stefan has just finished a shoot with the woman. He becomes violent with her, freaking her out. She screams, “I’m never going to show up here again!” and makes a run for it. He shrugs, then goes into the back room where we see a figure comes up from behind and knock Stefan out. The figure steps out from the shadows and we see it’s Emily. Her phone rings and it’s Prue. “I’ve decided to meet you after all.” Emily smiles. “Wonderful. Why not come to my studio in an hour?” “Sure, especially since my lunch date cancelled on me. That should give me enough time to go home and put together a collection of my photos.” “That’s perfect, Prue.” As she hangs up her phone, Emily smiles at Stefan, still lying on the floor. Suddenly an essence comes out of him and goes into her as her own eyes glow brightly yellow while Stefan’s eyes go blank – he’s dead.
GC: *So* excited for what Emily is, and so pleased you have given us a female villain right away, and not done Stefan, who I wasn't nuts on this demon of the week in Kern's episode.
DC: I really love where you are going with Prue and Andy, such a better way to handle their story. Also love what you have done with Prue and Photography, and Stefan dead, now I'm so excited to see what happens next.
GDC: I noticed it is Father and not Pastor, interesting. Also like my family, love to find out what is going on with Emily. Another great chapter Summer.
