Post by thekiwicharmed on Oct 25, 2005 0:46:53 GMT -5
Hey everyone who used to read my fanfiction. Here is the final version of the series first episode. It's basically a heavily edited version of acts 1 and 2 of what you read. I've split up act 3,4 and 5 into "Pilot Part two" which i'll post soon!
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Hellow everyone.
Before you read just know that [most] of these characters I don't own, but the additional characters and story ideas are all mine and please do not steal and post as your own work. If you want to find out more information about the charmed sons series please visit www.kiwicharmed.net/forums
Ta.
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THE CHARMED SONS © [ VIRTUAL SPIN OFF BY KIWICHARMED ]
Author Notes
Just before you start on this series here are a few things that are a bit different from what we saw in “Chris Crossed”. First of all, Bianca and Chris are not together. This is primarily because there is too much else going on that there is no need for a love interest [at least not yet]. Chris’s initial power is telekinesis and there is a new type of super telekinesis which is basically just a neck choke that we saw him do in “Valhalley of the dolls”. Wyatt also has that power, along with many others. Also, a demonic lord is not the same as a demon.
TEASER
FADE IN...
INT. MANOR ATTIC- NIGHT
It is night, uncultivated. The manor is full of old remnants.
PAUSE
The attic door bursts open to reveal CHRIS, twenty (2024). Something terrible has happened but CHRIS has a very scarred and blurred memory of exactly what. He knows that he has just lost someone very dear to him and he knows that WYATT is somehow involved.
CHRIS
(Pacing)
I call upon the ancient power
To help us in this darkest hour
Let the book return to this space
Claim refuge in its rightful place…
CHRIS (CONT’D)
(Sits down)
It’s no use.
ENTER – BIANCA who shimmers in confused. CHRIS’S long time friend. She is wearing black leather which oddly matches her chocolate brown hair.
BIANCA
CHRIS? CHRIS! What happened?
CHRIS
(Tensely)
Keep your voice down, BIANCA.
BIANCA
(Says slowly)
What happened!?
CHRIS
(Looking up at her)
I… I don’t, I’m not sure.
BIANCA swerves around, as if looking for something.
BIANCA
(Frustrated)
Where’s WYATT?
CHRIS gets up and focuses at the stool that used to hold the coveted book of shadows, a book of which his families legacy lies but is no longer.
CHRIS
I call upon the ancient power;
BIANCA
What the hell do you think you’re doing?
CHRIS
To help us in this darkest hour;
BIANCA
No.
CHRIS
Let the book return to this space;
BIANCA
That’s forbidden! CHRIS, what happened?
-- CUT to flashback:
CLOSE UP of PIPER’S horrified scream
-- CUT back
CHRIS
Claim refuge in its rightful place.
As CHRIS finishes the word ‘place’ a magnificent blue and white light shines through the ceiling and touches the floor.
CHRIS
Oh my god!
BIANCA gasps as the light quickly fades an ancient book manifests into physical form. The book of shadows.
INT. MANOR SECOND FLOOR STAIRS- NIGHT
CHRIS is running down the stairs while holding the book in his arms with BIANCA following very confused behind him.
CHRIS
You don’t understand.
BIANCA
Understand what? What happened, CHRIS!
CHRIS Throws the book at the floor as they run down the final flight of stairs, completely baffled as to his own memories.
CHRIS
I told you, I DON’T KNOW!
ANGLE - Manor doors: which fly open as a telekinetic “Zing” can be heard. Standing out in the porch covered in shadows is
WYATT
Brother.
-- CUT to flashback of WYATT’S hand holding Excalibur
CHRIS
WYATT. What the hell are you doing here?
WYATT
That’s no way to be talking to your brother now is it CHRIS? This house both of ours.
CHRIS
And Moms, do you ever think about her?
WYATT
(Noticing the book of shadows)
Is that what I think it is?
CHRIS
(Picking up the book)
No.
CHRIS takes hold of BIANCA’S hand and quite stupidly tries pushing past WYATT with the book.
WYATT
(Using with a more deep-aggressive tone)
Where do you think you’re going?
The book drops to the floor as CHRIS struggles to breathe.
BIANCA
WYATT what do you think your doing?
WYATT
Hello, Brother.
BIANCA, unable to determine what’s going on takes a few seconds to scan the scene thinking something peculiar about WYATT, something not right. She opens up a portal in Wyatt’s back and reaches her hand inside to try and paralyze him.
WYATT
Piss off you filthy Phoenix!
BIANCA
CHRIS, get the book! – Ah!
WYATT throws her outside and telekinetically shuts the manor doors.
CHRIS
No!
BIANCA
WYATT, let me in!
WYATT
(Telekinetically waves right hand)
Now she can’t even shimmer in. It’s just you and me CHRIS.
CHRIS
What did you do?
WYATT
Excuse me?
CHRIS
Where’s Mom, what did you do?
CHRIS lunges for the book, only to be knocked over by a TK blast and into the dining room table.
WYATT
(Taking a hold of the book)
She won’t be getting in the middle of things this time. You won’t have mommy to protect you. You won’t have mommy to stop me.
BIANCA
(Trying to punch her way into the door)
God help us!
Inside, WYATT is clenching his fists choking CHRIS with a special type of telekinesis.
WYATT
How do you like that?
CHRIS tries a telekinetic shot but to no avail.
WYATT
Will you ever learn? I’m twice blessed. Magic literally died the day I was born. What’s wrong YOUNG ONE: Lost your memory?
CHRIS
(As WYATT relieves the choke slightly)
Help me!
WYATT
(Confused)
Me, help you?
WYATT uses his powerful telekinesis to make CHRIS fly across the floor. CHRIS’S scream is drowned out by the sound of an old but powerful a soul entering the physical plain and the manor doors creaking open.
GRAMS (PENNY) (O.S)
He wasn’t talking to you.
CHRIS
GRAMS!?
PENNY (O.S)
Enough is enough.
REVEAL - PENNY
The matriarch of the Halliwell family stands next to BIANCA outside. Penny telekinetically swings them so they slam onto either interior wall. She barely lifts a finger, sending a howling WYATT through the manor doors and past her on to the street.
ANGLE - road
A green/blue like demon figure shrouded in capes seems reveal out of WYATTT’S body then grabs an unconscious, un-possessed WYATT and blinks out, unnoticed.
ANGLE – manor outside
CHRIS
GRAMS?
PENNY
I’m sorry dear; I’ve already broken one too many rules coming here.
Exit – PENNY
BIANCA
CHRIS, are you alright, say something!
CHRIS
GRAMS!
(Sighs)
GRAMS!
-- END OF TEASER
ACT ONE
EXT. PRESCOTT STREET- NIGHT
CAMERA cranes down awkwardly to CHRIS and BIANCA. BIANCA is trying to calm CHRIS on the sidewalk.
BIANCA
Are you okay?
CHRIS
Stop asking so many questions this isn’t the time BIANCA.
BIANCA
Sorry, I was just trying to help...
CHRIS
(Apologetic)
Look, I’m sorry too. If I knew what had happened then maybe this would be different.
LONG PAUSE
BIANCA
(Changing the subject)
Penny?
CHRIS
Yeah, it was weird… I called out and she came. If GRAMS wasn’t there I would be dead now.
BIANCA
CHRIS, don’t say that...
CHRIS
Why not?
BIANCA
I... I doubt WYATT would ever... kill you.
CHRIS
(Shutting the book firmly)
Would he kill Mom?
BIANCA
What?
INT. MANOR KITCHEN- DAY
SUBTITLE: TWO MONTHS EARLIER
FLASHBACK sequence. An early 50’s (although she doesn’t look it) Piper is sniping at her eldest son WYATT because of his continual obsession with power.
WYATT
Come on Mom, Please?
PIPER
I don’t know how many times I’ve had too tell you WYATT, No.
WYATT
Why, what’s the worst that could happen?
PIPER
(Carrying a water pot into the dining room)
Look, I don’t have to give you reasons WYATT! Why don’t you go and prepare instead of whining.
WYATT
(Yells)
Because I need it!
PIPER
What you need is a time out.
WYATT
Stop treating me like a child!
PIPER
(Watering her plants which seem half dead)
Why? You’ve been acting like one ever since…
ENTER CHRIS who orbs himself through manor doors.
WYATT
No I haven’t.
CHRIS
Hey Mom! WYATT…
PIPER
Hi honey.
A few seconds of silence plus a mixture of OVER THE SHOULDER SHOTS help emphasize that there is awkward tension between Piper and Wyatt and Wyatt and Chris.
WYATT
(Breaking the uneasiness)
CHRIS, help me out here! Convince our mother that the book of shadows is better off with us then in some ghostly plane.
CHRIS
Oh no, not this again.
WYATT
Please, we all need it now. Demonic activity is at all time highs and I fear that we need extra backup.
PIPER
I don’t need to hear any of this.
WYATT
(Annoyed)
This is getting nowhere.
PIPER
(Angry)
Of course this is going nowhere.
Unable to cope with being in a house full of memories surrounded by family who are unsure of his motives WYATT makes a run for the manor doors.
CHRIS
Wait.
CHRIS Attempts to go after WYATT to talk to him and calm him down.
WYATT
Don’t even try.
WYATT sends a small TK wave, throwing CHRIS into the grandfather clock.
PIPER
WYATT!
WYATT
(Turns around shocked for a few seconds)
Oh my god.
PIPER gestures at the mirror next too the door and blows it up.
WYATT
I didn’t mean to do that…
ANGLE - Manor outdoors.
Exit WYATT who runs as fast as he can down the manor steps and as the CAMERA TRACKS him, he orbs out.
PIPER
CHRIS, are you okay?
LOW ANGLE - Manor door entrance
CHRIS
Yeah, I’ll be fine. I think WYATT is the one you should be asking.
PIPER
I think he’s beyond help now.
CHRIS
I think we all are.
INT. ABANDONED DEMONIC COVEN- NIGHT / PRESENT TIME
-- SUBTITLE: PRESENT DAY
The CAMERA begins by FADING IN to an ESTABLISHING SHOT with the supposed naturally candle lit LIGHTING showing a large cave like room with altars and other paraphernalia. To introduce our new evil forces the CAMERA PANS past the ETERNAL SHADE, a powerful demonic lord whose cursed to an eternity of coldness (the same one who had possessed WYATT in the teaser). PAN to next character EVA who shares similarities with BIANCA except with a whiter face and blonde hair.
ETERNAL SHADE
I’m getting cold. I need a new witch, now. Cold…
EVA
Right! Um, I think we have another one ready for you.
ETERNAL SHADE
She better be good this time.
ENTER - WYATT
WYATT
(Holding a young innocent witch by her hair)
I think you’ll enjoy this one.
ETERNAL SHADE
Interesting.
Although EVA and WYATT share a mutual alliance EVA persists at making him look bad in front of ETERNAL SHADE.
EVA
Back so soon?
WYATT
What’s it to you?
ETERNAL SHADE
Enough! Bring her too me. I’m cold.
WYATT’S charge CANDACE is too dazed to show the horror any normal witch would if she were about to be killed.
CANDACE
(Confused)
Where’s my white lighter!?
EVA
(Pointing at WYATT)
Right there.
WYATT
(Showing a small sign of sorrow)
I’m no white lighter.
Without any remorse WYATT throws his charge forcibly to the ground knocking her unconscious.
ETERNAL SHADE
Leave all of you.
EVA
Uh, okay.
WYATT and EVA exit
ETERNAL SHADE
I’m cold.
EXTREME CLOSE UP of the witches eyes bursting open
CUT TO:
EXT. ABANDONED DEMONIC COVEN EXTERIOR – NIGHT
WYATT and EVA are shown walking around a very quaint looking outdoors, for a ABANDONED DEMONIC COVEN. An ESTABLISHING SHOT mixed with a PAN show just how large the exterior is. A waterfall can be heard in the distance and what seems like a cliff is shown via moving camera. Many shadows litter the place.
EVA
That was very tempestuous of you, what you just did.
WYATT
Yeah how’s that?
EVA
I mean, well. How are you feeling, WYATT?
WYATT
I don’t know EVA and I don’t care.
EVA
You don’t care that the ETERNAL SHADE is poisoning your brain?
WYATT
Why do you keep talking to me?
EVA
Why do you have to be so on edge all of the time?
WYATT
Shut up.
PAUSE
EVA
When’s the funeral then?
WYATT suddenly turns his head around to face her with a grim expression of filial resentment.
WYATT
(Sour)
You aren’t invited.
EVA
You know WYATT; you shouldn’t let him order your every breath. Do you even remember why you came here in the first place?
WYATT
Go and drown yourself.
EVA
(Angry)
It’s not like I want to be here either.
WYATT
Keep your voice down or I will kill you.
EVA
That’s your answer to everything isn’t it?
(Raises voice for each “Kill”)
Kill, kill, kill, kill, and kill.
At that, EVA wanders off far into the shadows. The camera cranes back to show WYATT in emotional pain. He doesn’t know what to think or do – the demonic poison still within him restricted him from acting or letting any of his thoughts out into the open.
EXT - ESTABLISHING SHOT - CEMETERY - NIGHT.
The golden gate bridge is revealed in the distance, except it is painted a deep golden/yellow color. Closer in the SHOT is a deserted cemetery apart from, BIANCA and CHRIS. BIANCA and CHRIS are sitting on the ground, intent on casting a spell away from where anybody could see or likely be at.
CHRIS
The spell, it’s still in here.
BIANCA
(Looks)
To unmask clouded memories. Why don’t you just use the truth spell?
CHRIS
That won’t work. Now be quiet and let me read.
CHRIS studies the page carefully.
CHRIS (CONT’D)
“To unmask clouded memories one must have strong desire.
A pentagram and full moon are required as well as clear thought and mind.”
BIANCA
CHRIS, you have a strong desire but that’s all.
BIANCA looks up
BIANCA (CONT’D)
I can make a pentagram, but we have no full moon.
CHRIS
Whatever. Do what you have to. I’ll try it.
BIANCA
But it could be dangerous.
CHRIS
I live in danger all day and night. Don’t worry. Now can you do this?
BIANCA closes her eyes and concentrates. Suddenly the grass erupts in a pentagram shape of small flames.
BIANCA
I’m a phoenix, I can do anything. Are you definitely sure you are ready?
CHRIS
Just let me do this.
(Darkens voice)
I need too find out whether or not WYATT killed our mother...
CHRIS enters the middle of the pentagram and lies down.
BIANCA
(Says awkwardly)
Good luck.
CHRIS
Thanks.
(Enchants)
In this darkest hour I call to thee
Let me fall into ghostly sleep
From this world to some past space
Offer peace of mind and state of grace.
BIANCA
Oh no!
As CHRIS rapidly falls into sleep WYATT orbs in to intervene.
WYATT
Oh yes.
BIANCA
CHRIS, no stop. Wake up!
FROM HERE we:
-- CUT into CHRIS’S vision.
EXT. – CHRIS MEMORY – MANOR CONSERVATORY – NIGHT.
CAMERA ANGLE is at a slight offset. CHRIS is not physically there in the shots but like us, watching the events earlier that day as his mind remembers them. CHRIS and PIPER are sitting outside, looking at the stars talking.
CHRIS
Yeah P3 is doing fine these days, unlike everything else.
PIPER
(Hearing a crash in the attic)
What was that!?
CHRIS
Another demon?
HIGH ANGLE - Manor bottom floor.
CHRIS
Mom, wait here I’ll deal with it.
-- CUT BACK TO BIANCA AND WYATT.
WYATT is staring at his brother CHRIS who is still in a deep sleep. WYATT feels uneasy; he can’t let CHRIS see what really happened.
BIANCA
Don’t go near him.
WYATT
I don’t need to.
WYATT waves his hand at pentagram of flames which dissipate, effectively causing the spell to backfire. It is unknown what is happening to CHRIS at the moment.
BIANCA
Bastard!
BIANCA shimmers out then reforms a kick to WYATT’S groin.
WYATT
(One knee falls to the ground)
Bitch!
INT – CHRIS MEMORY – WHERE WE LEFT OFF
Because of WYATT’S intervention, THE CAMERA is now at an awkward offset – colors are in wrong places etc. CHRIS is now visually in the shots. He doesn’t know WYATT is what is distorting the events, making Piper seem crazy/suicidal.
-- *FROM HERE CHRIS (ghost) WILL BE USED TO SHOW [PRESENT CHRIS]. CHRIS (past) is THE CHRIS IN THE MEMORY.
CHRIS (past) cannot see or hear his future self.
CHRIS (ghost)
What’s happening?
PIPER
(Now holding an axe)
How dare you, how dare you!
(Hurls the axe into the manor wall)
CHRIS (ghost)
Mom, what are you doing!? This isn’t what happened. What’s going on? Mom!
PIPER
(Eerie laugh)
Hahahaha.
After a few seconds of watching a memory that he thought he could remember CHRIS (ghost) begins to realize that there might be foul play involved.
CHRIS (ghost)
BIANCA! Get me out of here!
PIPER
(Laugh turns into a cry)
My life is over.
CHRIS (ghost)
BIANCA…,
-- CUT BACK TO WYATT AND BIANCA
CHRIS (sleeping)
… Help!
WYATT suddenly changes his tone and motives for an oblivious reason, the poison losing its effect for a short while.
WYATT
I’m not here to harm you or CHRIS if you get the hell out of my way.
BIANCA
(Throwing confused looks at CHRIS and WYATT)
Forgive me, both of you.
(Shimmers out)
FADE OUT
END OF ACT 1
ACT TWO
EXT. CEMETERY - NIGHT.
FADE IN
WYATT is now alone with a sleeping CHRIS, intent on repressing the memory or his brother for the meantime.
WYATT
I’m sorry brother but I just can’t have you remember… yet.
WYATT awkwardly moves his hands on to the forehead of sleeping CHRIS.
CHRIS
(unconscious)
BIANCA.
WYATT
Oh shush over your beloved BIANCA. It seems she’s abandoned you in any case. Now…
WYATT’S hand glows over CHRIS’S forehead.
WYATT (CONT’D)
Let’s play shall we?
REVEAL EVA – who reforms in.
EVA
What are you doing?
WYATT
Just a simple mind walking hex.
EVA
You’re up to something.
WYATT
What makes you think that?
EVA
A phoenix’s sense. Or rather, ETERNAL SHADE. He doesn’t trust you.
WYATT
(Forgetting about CHRIS for the moment)
What? I just provided him with my charge.
EVA
What about PIPER?
WYATT
What about her?
EVA
The words out that you killed the last charmed one. Where’s the body?
WYATT
You should know by now EVA.
EVA
Know?
WYATT
…Not too piss me off
(Hurls a blue/white energy ball at her chest, hits)
EVA
(Sad, sarcastic)
Oh, you bastard.
Exit EVA
WYATT
(Looks into CHRIS’S eyes)
I’m so sorry brother. I never meant for any of this to happen.
WYATT’S eyes begin to water uncontrollably.
EVA
(Leagues away but still watching WYATT)
Tears?
WYATT (CONT’D)
But I can’t have you ruining my plans.
WYATT puts hands on CHRIS’S forehead, closes eyes and concentrates.
-- CUT TO CHRIS’S MEMORY.
CHRIS is still stuck in a messed up memory.
CHRIS (ghost)
BIANCA, wake me up! Get me out of here!
REVEAL Past-CHRIS who comes running down the stairs.
CHRIS (past)
Mom! Don’t worry. No demons; something just fell off the bench.
CAMERA swerves to past CHRIS’S face as he says his line then back to PIPER’S. The CAMERA goes back to a normal slight-ish slant. No longer does Piper wield an axe.
PIPER
You sure?
CHRIS (ghost)
Wait… that isn’t what happened either.
(Looks up)
What’s wrong with this?
-- CUT BACK TO WYATT
WYATT is pleased with what he’s accomplished.
WYATT
Good.
(Changes tone)
Forgive me brother, but… let’s turn things up a notch.
-- CUT TO CHRIS MEMORY
This time the CAMERA is slanted the most, a real sick feeling can be felt as the full velocity of WYATT’S mind hex substantiates.
CHRIS (past)
MOM, IT’S YOUR FAULT DAD DIED!
CHRIS (ghost)
What? I didn’t say that!
(Breathes)
Did I?
PIPER
CHRIS, why can’t you be like WYATT? Stop blaming me constantly for EVERY LITTLE FREAKING THING!
CHRIS (past)
ALRIGHT I’VE HAD JUST ABOUT ENOUGH OF YOUR MOUTH, YOU BITCH!
Shows a mid shot of ghost-CHRIS with a confused look as the episodes first voice over comes into effect.
CHRIS (V.O)
I knew that I didn’t quite remember what had happened earlier that evening, but I was certain that I didn’t call my mother a bitch. Mom and I never used too fight. It was always WYATT blaming her for everything. Something wasn’t right.
RESUME SCENE
PIPER
That’s enough!
PIPER Gestures at her son, who swerves causing the wall blows to bits.
CHRIS (past)
Die!
CHRIS sends a telekinetic blow at his mother with such magnitude, that it throws her one floor up through the stairs barrier and into the wall.
Ghost CHRIS is traumatized, thinking that maybe he was the one who killed their mother when really that had never happened. In reality, WYATT was the one who began to kill his mother by sending her flying up the stairs, not CHRIS.
-- CUT TO EVA WATCHING WYATT
EVA
Interesting…
(Shimmers out)
EXT. – ABANDONED DEMONIC COVEN OUTSIDE – NIGHT
CLOSE UP SHOT shows hands wrap around EVA’S neck and force her near the cliff face.
REVEAL - BIANCA.
BIANCA
You little bitch.
EVA
Arghhh.
BIANCA drops EVA to the ground.
BIANCA
What are you doing here? What is this place?
EVA
(Getting up)
Would you let me explain myself before you attack me! I think you know where I am, BIANCA.
BIANCA
Right. You don’t deserve explanation.
EVA
How did you get here?
BIANCA
I followed your blood.
(Seriously speaking)
Speak now or forever hold your peace.
EVA
That’s not funny.
BIANCA
It wasn’t meant to be. Again, what are you doing here?
EVA
Can we go...
EVA looks around too see if ETERNAL SHADE is nearby.
EVA (CONT’D)
Talk about this someplace else?
BIANCA
No, I know you know WYATT and I need answers now.
EVA
Wow, you really do have connections.
PAUSE
EVA (CONT’D)
I’m undercover.
BIANCA
Why?
EVA
That’s none of your business, sis.
EVA’S obvious down-play of the situation begins to furiously irritate BIANCA, who had expected it but not prepared for emotion.
BIANCA
I need to know what’s happening to WYATT. CHRIS seems to think that…
(Refrains for a second)
Something happened.
EVA
Oh. You haven’t heard have you?
EVA looks around too see if anyone is watching again then whispers.
EVA
(Lies)
Apparently WYATT killed their mother, black and white plain and simple. Don’t shake your head at me.
BIANCA
Oh my god, I have to get back to CHRIS!
EVA
Well…
EVA knew that it was not WYATT in his entirety that was responsible, but didn’t want to risk her own ass.
PAUSE
Still, EVA thought she had to say something to soothe her sister, so she makes up another lie.
EVA
Apparently he killed her. If you ask me I don’t think he did it.
BIANCA
(About to leave)
What? Speak.
EVA
(Lies)
WYATT can never do anything without my prying eye. If you ask me, I don’t think he did it.
BIANCA
(Pierces her right eye)
You’re lying.
EVA
And you’re not welcome here. Go before I get in trouble.
BIANCA
(Turns around)
As you wish.
(Shimmers out)
REVEAL - ETERNAL SHADE who steps out a shadow.
ETERNAL SHADE
Explain yourself.
INT. SOUL PURGATORY – UNKNOWN TIME
The camera dissolves into soul purgatory. A place where spirits with very strong wills reside until they are ready to move on. PIPER is alone there, surrounded by white mist and very confused.
PIPER
What’s going on?
ENTER PENNY who is unsure of what to say to her granddaughter.
PENNY
I’m sorry dear…
PIPER
No….
(Frantic)
This can’t be happening.
-- CUT TO WHAT IS HAPPENING WITH WYATT
EXT. CEMETERY – NIGHT
WYATT has finished messing with CHRIS’S memory but doesn’t realize that BIANCA shimmers in pissed.
BIANCA
Traitor!
(Tackles WYATT with all of her force)
You deserve too die for what you’ve done!
BIANCA swings two punches, hitting WYATT directly in the face but then refrains.
CHRIS
(Distraught)
Stop!
BIANCA
CHRIS?
WYATT
It worked…
Instead of retaliating at BIANCA, WYATT gets up too look at his brother, one part of him glad that he had concealed his secret and maddened his rival in the process, the other part filled with agony and sadness.
CHRIS
(Maddened because of the vision quest)
Don’t hurt him, it isn’t his fault.
BIANCA
What are you talking about?
CHRIS becomes teary eyed almost instantly.
CHRIS
I did it
I killed my mother!
(Breaks down)
-- CUT TO SOUL PURGATORY
PENNY
PIPER…
Penny extends her hands to her daughter.
PIPER
Send me back, I need to go back.
PENNY
That’s impossible, you know that.
PIPER
No. It can’t be I can’t leave things in this state. Oh my God why is this happening to me? After all these years why now?
PENNY
PIPER please, calm down.
PIPER
No I WON’T CALM DOWN! CHRIS must be on the verge of suicide or blaming WYATT for what happened.
PENNY
PIPER dear…
PAUSE
PENNY (CONT’D)
WYATT is what happened.
PIPER
(Disgusted)
You of all people!?
PENNY
Excuse me?
PIPER
Do you really believe that one of my own children would kill me?
I saw the looks in his eyes. One was soulful and innocent – I hadn’t seen that in a long time. The other one was of pure evil. That wasn’t my son. Whoever killed me wasn’t my son.
PENNY
Right...
GRAMS cannot figure out what to say. It was true she knew WYATT was possessed, but she didn’t know PIPER knew that much.
PIPER
I don’t know!
PENNY
PIPER dear… your beginning to lose it. Come with me now, I promise you a nice afterlife
(Gives awkward smile)
PIPER
I’ve already lost it and I don’t want to go. I want to be with my sons! I want to reverse the chaos that I can feel in both of them.
PENNY
PIPER, they’re calling for us. You must come.
PIPER
(Dark tone)
I’m not going anywhere without my children, CHRIS!
(Yells)
CHRIS, WYATT!?
PENNY
Sorry dear, if you won’t come with me then fine but I have to go.
PIPER
CHRIS?
GRAMS fades out of the SHOT, leaving a distraught PIPER calling out her sons names.
----
Hellow everyone.
Before you read just know that [most] of these characters I don't own, but the additional characters and story ideas are all mine and please do not steal and post as your own work. If you want to find out more information about the charmed sons series please visit www.kiwicharmed.net/forums
Ta.
--
THE CHARMED SONS © [ VIRTUAL SPIN OFF BY KIWICHARMED ]
Author Notes
Just before you start on this series here are a few things that are a bit different from what we saw in “Chris Crossed”. First of all, Bianca and Chris are not together. This is primarily because there is too much else going on that there is no need for a love interest [at least not yet]. Chris’s initial power is telekinesis and there is a new type of super telekinesis which is basically just a neck choke that we saw him do in “Valhalley of the dolls”. Wyatt also has that power, along with many others. Also, a demonic lord is not the same as a demon.
TEASER
FADE IN...
INT. MANOR ATTIC- NIGHT
It is night, uncultivated. The manor is full of old remnants.
PAUSE
The attic door bursts open to reveal CHRIS, twenty (2024). Something terrible has happened but CHRIS has a very scarred and blurred memory of exactly what. He knows that he has just lost someone very dear to him and he knows that WYATT is somehow involved.
CHRIS
(Pacing)
I call upon the ancient power
To help us in this darkest hour
Let the book return to this space
Claim refuge in its rightful place…
CHRIS (CONT’D)
(Sits down)
It’s no use.
ENTER – BIANCA who shimmers in confused. CHRIS’S long time friend. She is wearing black leather which oddly matches her chocolate brown hair.
BIANCA
CHRIS? CHRIS! What happened?
CHRIS
(Tensely)
Keep your voice down, BIANCA.
BIANCA
(Says slowly)
What happened!?
CHRIS
(Looking up at her)
I… I don’t, I’m not sure.
BIANCA swerves around, as if looking for something.
BIANCA
(Frustrated)
Where’s WYATT?
CHRIS gets up and focuses at the stool that used to hold the coveted book of shadows, a book of which his families legacy lies but is no longer.
CHRIS
I call upon the ancient power;
BIANCA
What the hell do you think you’re doing?
CHRIS
To help us in this darkest hour;
BIANCA
No.
CHRIS
Let the book return to this space;
BIANCA
That’s forbidden! CHRIS, what happened?
-- CUT to flashback:
CLOSE UP of PIPER’S horrified scream
-- CUT back
CHRIS
Claim refuge in its rightful place.
As CHRIS finishes the word ‘place’ a magnificent blue and white light shines through the ceiling and touches the floor.
CHRIS
Oh my god!
BIANCA gasps as the light quickly fades an ancient book manifests into physical form. The book of shadows.
INT. MANOR SECOND FLOOR STAIRS- NIGHT
CHRIS is running down the stairs while holding the book in his arms with BIANCA following very confused behind him.
CHRIS
You don’t understand.
BIANCA
Understand what? What happened, CHRIS!
CHRIS Throws the book at the floor as they run down the final flight of stairs, completely baffled as to his own memories.
CHRIS
I told you, I DON’T KNOW!
ANGLE - Manor doors: which fly open as a telekinetic “Zing” can be heard. Standing out in the porch covered in shadows is
WYATT
Brother.
-- CUT to flashback of WYATT’S hand holding Excalibur
CHRIS
WYATT. What the hell are you doing here?
WYATT
That’s no way to be talking to your brother now is it CHRIS? This house both of ours.
CHRIS
And Moms, do you ever think about her?
WYATT
(Noticing the book of shadows)
Is that what I think it is?
CHRIS
(Picking up the book)
No.
CHRIS takes hold of BIANCA’S hand and quite stupidly tries pushing past WYATT with the book.
WYATT
(Using with a more deep-aggressive tone)
Where do you think you’re going?
The book drops to the floor as CHRIS struggles to breathe.
BIANCA
WYATT what do you think your doing?
WYATT
Hello, Brother.
BIANCA, unable to determine what’s going on takes a few seconds to scan the scene thinking something peculiar about WYATT, something not right. She opens up a portal in Wyatt’s back and reaches her hand inside to try and paralyze him.
WYATT
Piss off you filthy Phoenix!
BIANCA
CHRIS, get the book! – Ah!
WYATT throws her outside and telekinetically shuts the manor doors.
CHRIS
No!
BIANCA
WYATT, let me in!
WYATT
(Telekinetically waves right hand)
Now she can’t even shimmer in. It’s just you and me CHRIS.
CHRIS
What did you do?
WYATT
Excuse me?
CHRIS
Where’s Mom, what did you do?
CHRIS lunges for the book, only to be knocked over by a TK blast and into the dining room table.
WYATT
(Taking a hold of the book)
She won’t be getting in the middle of things this time. You won’t have mommy to protect you. You won’t have mommy to stop me.
BIANCA
(Trying to punch her way into the door)
God help us!
Inside, WYATT is clenching his fists choking CHRIS with a special type of telekinesis.
WYATT
How do you like that?
CHRIS tries a telekinetic shot but to no avail.
WYATT
Will you ever learn? I’m twice blessed. Magic literally died the day I was born. What’s wrong YOUNG ONE: Lost your memory?
CHRIS
(As WYATT relieves the choke slightly)
Help me!
WYATT
(Confused)
Me, help you?
WYATT uses his powerful telekinesis to make CHRIS fly across the floor. CHRIS’S scream is drowned out by the sound of an old but powerful a soul entering the physical plain and the manor doors creaking open.
GRAMS (PENNY) (O.S)
He wasn’t talking to you.
CHRIS
GRAMS!?
PENNY (O.S)
Enough is enough.
REVEAL - PENNY
The matriarch of the Halliwell family stands next to BIANCA outside. Penny telekinetically swings them so they slam onto either interior wall. She barely lifts a finger, sending a howling WYATT through the manor doors and past her on to the street.
ANGLE - road
A green/blue like demon figure shrouded in capes seems reveal out of WYATTT’S body then grabs an unconscious, un-possessed WYATT and blinks out, unnoticed.
ANGLE – manor outside
CHRIS
GRAMS?
PENNY
I’m sorry dear; I’ve already broken one too many rules coming here.
Exit – PENNY
BIANCA
CHRIS, are you alright, say something!
CHRIS
GRAMS!
(Sighs)
GRAMS!
-- END OF TEASER
ACT ONE
EXT. PRESCOTT STREET- NIGHT
CAMERA cranes down awkwardly to CHRIS and BIANCA. BIANCA is trying to calm CHRIS on the sidewalk.
BIANCA
Are you okay?
CHRIS
Stop asking so many questions this isn’t the time BIANCA.
BIANCA
Sorry, I was just trying to help...
CHRIS
(Apologetic)
Look, I’m sorry too. If I knew what had happened then maybe this would be different.
LONG PAUSE
BIANCA
(Changing the subject)
Penny?
CHRIS
Yeah, it was weird… I called out and she came. If GRAMS wasn’t there I would be dead now.
BIANCA
CHRIS, don’t say that...
CHRIS
Why not?
BIANCA
I... I doubt WYATT would ever... kill you.
CHRIS
(Shutting the book firmly)
Would he kill Mom?
BIANCA
What?
INT. MANOR KITCHEN- DAY
SUBTITLE: TWO MONTHS EARLIER
FLASHBACK sequence. An early 50’s (although she doesn’t look it) Piper is sniping at her eldest son WYATT because of his continual obsession with power.
WYATT
Come on Mom, Please?
PIPER
I don’t know how many times I’ve had too tell you WYATT, No.
WYATT
Why, what’s the worst that could happen?
PIPER
(Carrying a water pot into the dining room)
Look, I don’t have to give you reasons WYATT! Why don’t you go and prepare instead of whining.
WYATT
(Yells)
Because I need it!
PIPER
What you need is a time out.
WYATT
Stop treating me like a child!
PIPER
(Watering her plants which seem half dead)
Why? You’ve been acting like one ever since…
ENTER CHRIS who orbs himself through manor doors.
WYATT
No I haven’t.
CHRIS
Hey Mom! WYATT…
PIPER
Hi honey.
A few seconds of silence plus a mixture of OVER THE SHOULDER SHOTS help emphasize that there is awkward tension between Piper and Wyatt and Wyatt and Chris.
WYATT
(Breaking the uneasiness)
CHRIS, help me out here! Convince our mother that the book of shadows is better off with us then in some ghostly plane.
CHRIS
Oh no, not this again.
WYATT
Please, we all need it now. Demonic activity is at all time highs and I fear that we need extra backup.
PIPER
I don’t need to hear any of this.
WYATT
(Annoyed)
This is getting nowhere.
PIPER
(Angry)
Of course this is going nowhere.
Unable to cope with being in a house full of memories surrounded by family who are unsure of his motives WYATT makes a run for the manor doors.
CHRIS
Wait.
CHRIS Attempts to go after WYATT to talk to him and calm him down.
WYATT
Don’t even try.
WYATT sends a small TK wave, throwing CHRIS into the grandfather clock.
PIPER
WYATT!
WYATT
(Turns around shocked for a few seconds)
Oh my god.
PIPER gestures at the mirror next too the door and blows it up.
WYATT
I didn’t mean to do that…
ANGLE - Manor outdoors.
Exit WYATT who runs as fast as he can down the manor steps and as the CAMERA TRACKS him, he orbs out.
PIPER
CHRIS, are you okay?
LOW ANGLE - Manor door entrance
CHRIS
Yeah, I’ll be fine. I think WYATT is the one you should be asking.
PIPER
I think he’s beyond help now.
CHRIS
I think we all are.
INT. ABANDONED DEMONIC COVEN- NIGHT / PRESENT TIME
-- SUBTITLE: PRESENT DAY
The CAMERA begins by FADING IN to an ESTABLISHING SHOT with the supposed naturally candle lit LIGHTING showing a large cave like room with altars and other paraphernalia. To introduce our new evil forces the CAMERA PANS past the ETERNAL SHADE, a powerful demonic lord whose cursed to an eternity of coldness (the same one who had possessed WYATT in the teaser). PAN to next character EVA who shares similarities with BIANCA except with a whiter face and blonde hair.
ETERNAL SHADE
I’m getting cold. I need a new witch, now. Cold…
EVA
Right! Um, I think we have another one ready for you.
ETERNAL SHADE
She better be good this time.
ENTER - WYATT
WYATT
(Holding a young innocent witch by her hair)
I think you’ll enjoy this one.
ETERNAL SHADE
Interesting.
Although EVA and WYATT share a mutual alliance EVA persists at making him look bad in front of ETERNAL SHADE.
EVA
Back so soon?
WYATT
What’s it to you?
ETERNAL SHADE
Enough! Bring her too me. I’m cold.
WYATT’S charge CANDACE is too dazed to show the horror any normal witch would if she were about to be killed.
CANDACE
(Confused)
Where’s my white lighter!?
EVA
(Pointing at WYATT)
Right there.
WYATT
(Showing a small sign of sorrow)
I’m no white lighter.
Without any remorse WYATT throws his charge forcibly to the ground knocking her unconscious.
ETERNAL SHADE
Leave all of you.
EVA
Uh, okay.
WYATT and EVA exit
ETERNAL SHADE
I’m cold.
EXTREME CLOSE UP of the witches eyes bursting open
CUT TO:
EXT. ABANDONED DEMONIC COVEN EXTERIOR – NIGHT
WYATT and EVA are shown walking around a very quaint looking outdoors, for a ABANDONED DEMONIC COVEN. An ESTABLISHING SHOT mixed with a PAN show just how large the exterior is. A waterfall can be heard in the distance and what seems like a cliff is shown via moving camera. Many shadows litter the place.
EVA
That was very tempestuous of you, what you just did.
WYATT
Yeah how’s that?
EVA
I mean, well. How are you feeling, WYATT?
WYATT
I don’t know EVA and I don’t care.
EVA
You don’t care that the ETERNAL SHADE is poisoning your brain?
WYATT
Why do you keep talking to me?
EVA
Why do you have to be so on edge all of the time?
WYATT
Shut up.
PAUSE
EVA
When’s the funeral then?
WYATT suddenly turns his head around to face her with a grim expression of filial resentment.
WYATT
(Sour)
You aren’t invited.
EVA
You know WYATT; you shouldn’t let him order your every breath. Do you even remember why you came here in the first place?
WYATT
Go and drown yourself.
EVA
(Angry)
It’s not like I want to be here either.
WYATT
Keep your voice down or I will kill you.
EVA
That’s your answer to everything isn’t it?
(Raises voice for each “Kill”)
Kill, kill, kill, kill, and kill.
At that, EVA wanders off far into the shadows. The camera cranes back to show WYATT in emotional pain. He doesn’t know what to think or do – the demonic poison still within him restricted him from acting or letting any of his thoughts out into the open.
EXT - ESTABLISHING SHOT - CEMETERY - NIGHT.
The golden gate bridge is revealed in the distance, except it is painted a deep golden/yellow color. Closer in the SHOT is a deserted cemetery apart from, BIANCA and CHRIS. BIANCA and CHRIS are sitting on the ground, intent on casting a spell away from where anybody could see or likely be at.
CHRIS
The spell, it’s still in here.
BIANCA
(Looks)
To unmask clouded memories. Why don’t you just use the truth spell?
CHRIS
That won’t work. Now be quiet and let me read.
CHRIS studies the page carefully.
CHRIS (CONT’D)
“To unmask clouded memories one must have strong desire.
A pentagram and full moon are required as well as clear thought and mind.”
BIANCA
CHRIS, you have a strong desire but that’s all.
BIANCA looks up
BIANCA (CONT’D)
I can make a pentagram, but we have no full moon.
CHRIS
Whatever. Do what you have to. I’ll try it.
BIANCA
But it could be dangerous.
CHRIS
I live in danger all day and night. Don’t worry. Now can you do this?
BIANCA closes her eyes and concentrates. Suddenly the grass erupts in a pentagram shape of small flames.
BIANCA
I’m a phoenix, I can do anything. Are you definitely sure you are ready?
CHRIS
Just let me do this.
(Darkens voice)
I need too find out whether or not WYATT killed our mother...
CHRIS enters the middle of the pentagram and lies down.
BIANCA
(Says awkwardly)
Good luck.
CHRIS
Thanks.
(Enchants)
In this darkest hour I call to thee
Let me fall into ghostly sleep
From this world to some past space
Offer peace of mind and state of grace.
BIANCA
Oh no!
As CHRIS rapidly falls into sleep WYATT orbs in to intervene.
WYATT
Oh yes.
BIANCA
CHRIS, no stop. Wake up!
FROM HERE we:
-- CUT into CHRIS’S vision.
EXT. – CHRIS MEMORY – MANOR CONSERVATORY – NIGHT.
CAMERA ANGLE is at a slight offset. CHRIS is not physically there in the shots but like us, watching the events earlier that day as his mind remembers them. CHRIS and PIPER are sitting outside, looking at the stars talking.
CHRIS
Yeah P3 is doing fine these days, unlike everything else.
PIPER
(Hearing a crash in the attic)
What was that!?
CHRIS
Another demon?
HIGH ANGLE - Manor bottom floor.
CHRIS
Mom, wait here I’ll deal with it.
-- CUT BACK TO BIANCA AND WYATT.
WYATT is staring at his brother CHRIS who is still in a deep sleep. WYATT feels uneasy; he can’t let CHRIS see what really happened.
BIANCA
Don’t go near him.
WYATT
I don’t need to.
WYATT waves his hand at pentagram of flames which dissipate, effectively causing the spell to backfire. It is unknown what is happening to CHRIS at the moment.
BIANCA
Bastard!
BIANCA shimmers out then reforms a kick to WYATT’S groin.
WYATT
(One knee falls to the ground)
Bitch!
INT – CHRIS MEMORY – WHERE WE LEFT OFF
Because of WYATT’S intervention, THE CAMERA is now at an awkward offset – colors are in wrong places etc. CHRIS is now visually in the shots. He doesn’t know WYATT is what is distorting the events, making Piper seem crazy/suicidal.
-- *FROM HERE CHRIS (ghost) WILL BE USED TO SHOW [PRESENT CHRIS]. CHRIS (past) is THE CHRIS IN THE MEMORY.
CHRIS (past) cannot see or hear his future self.
CHRIS (ghost)
What’s happening?
PIPER
(Now holding an axe)
How dare you, how dare you!
(Hurls the axe into the manor wall)
CHRIS (ghost)
Mom, what are you doing!? This isn’t what happened. What’s going on? Mom!
PIPER
(Eerie laugh)
Hahahaha.
After a few seconds of watching a memory that he thought he could remember CHRIS (ghost) begins to realize that there might be foul play involved.
CHRIS (ghost)
BIANCA! Get me out of here!
PIPER
(Laugh turns into a cry)
My life is over.
CHRIS (ghost)
BIANCA…,
-- CUT BACK TO WYATT AND BIANCA
CHRIS (sleeping)
… Help!
WYATT suddenly changes his tone and motives for an oblivious reason, the poison losing its effect for a short while.
WYATT
I’m not here to harm you or CHRIS if you get the hell out of my way.
BIANCA
(Throwing confused looks at CHRIS and WYATT)
Forgive me, both of you.
(Shimmers out)
FADE OUT
END OF ACT 1
ACT TWO
EXT. CEMETERY - NIGHT.
FADE IN
WYATT is now alone with a sleeping CHRIS, intent on repressing the memory or his brother for the meantime.
WYATT
I’m sorry brother but I just can’t have you remember… yet.
WYATT awkwardly moves his hands on to the forehead of sleeping CHRIS.
CHRIS
(unconscious)
BIANCA.
WYATT
Oh shush over your beloved BIANCA. It seems she’s abandoned you in any case. Now…
WYATT’S hand glows over CHRIS’S forehead.
WYATT (CONT’D)
Let’s play shall we?
REVEAL EVA – who reforms in.
EVA
What are you doing?
WYATT
Just a simple mind walking hex.
EVA
You’re up to something.
WYATT
What makes you think that?
EVA
A phoenix’s sense. Or rather, ETERNAL SHADE. He doesn’t trust you.
WYATT
(Forgetting about CHRIS for the moment)
What? I just provided him with my charge.
EVA
What about PIPER?
WYATT
What about her?
EVA
The words out that you killed the last charmed one. Where’s the body?
WYATT
You should know by now EVA.
EVA
Know?
WYATT
…Not too piss me off
(Hurls a blue/white energy ball at her chest, hits)
EVA
(Sad, sarcastic)
Oh, you bastard.
Exit EVA
WYATT
(Looks into CHRIS’S eyes)
I’m so sorry brother. I never meant for any of this to happen.
WYATT’S eyes begin to water uncontrollably.
EVA
(Leagues away but still watching WYATT)
Tears?
WYATT (CONT’D)
But I can’t have you ruining my plans.
WYATT puts hands on CHRIS’S forehead, closes eyes and concentrates.
-- CUT TO CHRIS’S MEMORY.
CHRIS is still stuck in a messed up memory.
CHRIS (ghost)
BIANCA, wake me up! Get me out of here!
REVEAL Past-CHRIS who comes running down the stairs.
CHRIS (past)
Mom! Don’t worry. No demons; something just fell off the bench.
CAMERA swerves to past CHRIS’S face as he says his line then back to PIPER’S. The CAMERA goes back to a normal slight-ish slant. No longer does Piper wield an axe.
PIPER
You sure?
CHRIS (ghost)
Wait… that isn’t what happened either.
(Looks up)
What’s wrong with this?
-- CUT BACK TO WYATT
WYATT is pleased with what he’s accomplished.
WYATT
Good.
(Changes tone)
Forgive me brother, but… let’s turn things up a notch.
-- CUT TO CHRIS MEMORY
This time the CAMERA is slanted the most, a real sick feeling can be felt as the full velocity of WYATT’S mind hex substantiates.
CHRIS (past)
MOM, IT’S YOUR FAULT DAD DIED!
CHRIS (ghost)
What? I didn’t say that!
(Breathes)
Did I?
PIPER
CHRIS, why can’t you be like WYATT? Stop blaming me constantly for EVERY LITTLE FREAKING THING!
CHRIS (past)
ALRIGHT I’VE HAD JUST ABOUT ENOUGH OF YOUR MOUTH, YOU BITCH!
Shows a mid shot of ghost-CHRIS with a confused look as the episodes first voice over comes into effect.
CHRIS (V.O)
I knew that I didn’t quite remember what had happened earlier that evening, but I was certain that I didn’t call my mother a bitch. Mom and I never used too fight. It was always WYATT blaming her for everything. Something wasn’t right.
RESUME SCENE
PIPER
That’s enough!
PIPER Gestures at her son, who swerves causing the wall blows to bits.
CHRIS (past)
Die!
CHRIS sends a telekinetic blow at his mother with such magnitude, that it throws her one floor up through the stairs barrier and into the wall.
Ghost CHRIS is traumatized, thinking that maybe he was the one who killed their mother when really that had never happened. In reality, WYATT was the one who began to kill his mother by sending her flying up the stairs, not CHRIS.
-- CUT TO EVA WATCHING WYATT
EVA
Interesting…
(Shimmers out)
EXT. – ABANDONED DEMONIC COVEN OUTSIDE – NIGHT
CLOSE UP SHOT shows hands wrap around EVA’S neck and force her near the cliff face.
REVEAL - BIANCA.
BIANCA
You little bitch.
EVA
Arghhh.
BIANCA drops EVA to the ground.
BIANCA
What are you doing here? What is this place?
EVA
(Getting up)
Would you let me explain myself before you attack me! I think you know where I am, BIANCA.
BIANCA
Right. You don’t deserve explanation.
EVA
How did you get here?
BIANCA
I followed your blood.
(Seriously speaking)
Speak now or forever hold your peace.
EVA
That’s not funny.
BIANCA
It wasn’t meant to be. Again, what are you doing here?
EVA
Can we go...
EVA looks around too see if ETERNAL SHADE is nearby.
EVA (CONT’D)
Talk about this someplace else?
BIANCA
No, I know you know WYATT and I need answers now.
EVA
Wow, you really do have connections.
PAUSE
EVA (CONT’D)
I’m undercover.
BIANCA
Why?
EVA
That’s none of your business, sis.
EVA’S obvious down-play of the situation begins to furiously irritate BIANCA, who had expected it but not prepared for emotion.
BIANCA
I need to know what’s happening to WYATT. CHRIS seems to think that…
(Refrains for a second)
Something happened.
EVA
Oh. You haven’t heard have you?
EVA looks around too see if anyone is watching again then whispers.
EVA
(Lies)
Apparently WYATT killed their mother, black and white plain and simple. Don’t shake your head at me.
BIANCA
Oh my god, I have to get back to CHRIS!
EVA
Well…
EVA knew that it was not WYATT in his entirety that was responsible, but didn’t want to risk her own ass.
PAUSE
Still, EVA thought she had to say something to soothe her sister, so she makes up another lie.
EVA
Apparently he killed her. If you ask me I don’t think he did it.
BIANCA
(About to leave)
What? Speak.
EVA
(Lies)
WYATT can never do anything without my prying eye. If you ask me, I don’t think he did it.
BIANCA
(Pierces her right eye)
You’re lying.
EVA
And you’re not welcome here. Go before I get in trouble.
BIANCA
(Turns around)
As you wish.
(Shimmers out)
REVEAL - ETERNAL SHADE who steps out a shadow.
ETERNAL SHADE
Explain yourself.
INT. SOUL PURGATORY – UNKNOWN TIME
The camera dissolves into soul purgatory. A place where spirits with very strong wills reside until they are ready to move on. PIPER is alone there, surrounded by white mist and very confused.
PIPER
What’s going on?
ENTER PENNY who is unsure of what to say to her granddaughter.
PENNY
I’m sorry dear…
PIPER
No….
(Frantic)
This can’t be happening.
-- CUT TO WHAT IS HAPPENING WITH WYATT
EXT. CEMETERY – NIGHT
WYATT has finished messing with CHRIS’S memory but doesn’t realize that BIANCA shimmers in pissed.
BIANCA
Traitor!
(Tackles WYATT with all of her force)
You deserve too die for what you’ve done!
BIANCA swings two punches, hitting WYATT directly in the face but then refrains.
CHRIS
(Distraught)
Stop!
BIANCA
CHRIS?
WYATT
It worked…
Instead of retaliating at BIANCA, WYATT gets up too look at his brother, one part of him glad that he had concealed his secret and maddened his rival in the process, the other part filled with agony and sadness.
CHRIS
(Maddened because of the vision quest)
Don’t hurt him, it isn’t his fault.
BIANCA
What are you talking about?
CHRIS becomes teary eyed almost instantly.
CHRIS
I did it
I killed my mother!
(Breaks down)
-- CUT TO SOUL PURGATORY
PENNY
PIPER…
Penny extends her hands to her daughter.
PIPER
Send me back, I need to go back.
PENNY
That’s impossible, you know that.
PIPER
No. It can’t be I can’t leave things in this state. Oh my God why is this happening to me? After all these years why now?
PENNY
PIPER please, calm down.
PIPER
No I WON’T CALM DOWN! CHRIS must be on the verge of suicide or blaming WYATT for what happened.
PENNY
PIPER dear…
PAUSE
PENNY (CONT’D)
WYATT is what happened.
PIPER
(Disgusted)
You of all people!?
PENNY
Excuse me?
PIPER
Do you really believe that one of my own children would kill me?
I saw the looks in his eyes. One was soulful and innocent – I hadn’t seen that in a long time. The other one was of pure evil. That wasn’t my son. Whoever killed me wasn’t my son.
PENNY
Right...
GRAMS cannot figure out what to say. It was true she knew WYATT was possessed, but she didn’t know PIPER knew that much.
PIPER
I don’t know!
PENNY
PIPER dear… your beginning to lose it. Come with me now, I promise you a nice afterlife
(Gives awkward smile)
PIPER
I’ve already lost it and I don’t want to go. I want to be with my sons! I want to reverse the chaos that I can feel in both of them.
PENNY
PIPER, they’re calling for us. You must come.
PIPER
(Dark tone)
I’m not going anywhere without my children, CHRIS!
(Yells)
CHRIS, WYATT!?
PENNY
Sorry dear, if you won’t come with me then fine but I have to go.
PIPER
CHRIS?
GRAMS fades out of the SHOT, leaving a distraught PIPER calling out her sons names.